THE PAINTED BIRD – Review by Susan Granger

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Having caused not only controversy but massive ‘walk-outs’ during film festivals, Czech filmmaker Vaclav Marhoul’s three-hour, black-and-white adaptation of Jerzy Kosinski’s grim, gruesome autobiographical novel is an epic revelation of extreme cruelty and brutality during World War II.

Filled with horrifying, unrelenting violence, it begins as a somber six year-old Jewish lad (Petr Kotlar) is abandoned by his parents in Eastern Europe. As he stoically wanders from village to village, he’s subjected to one grotesque atrocity after another from superstitious peasants as he tries to elude Russian Cossacks and the Gestapo.

In one segment of this odyssey, he’s buried up to his neck in dirt so crows can pick out his eyeballs. In another, he’s raped repeatedly by a pedophile who is, subsequently, eaten alive by rats. There’s sexual perversion, even bestiality. And as Jews jump off freight trains bound for concentration camps, they’re systematically gunned down and stripped of their goods and clothes.

Years after its publication, Kosinski’s uncompromising memoir was debunked by Polish authorities, who claimed his family – hiding as Christians under false names – had been sheltered by friends and that he was never handed over to the Nazis. Others claim some elements were lifted from the tormented childhood of his friend, Polish director Roman Polanski.

The title comes from a story about catching and painting the feathers of a tiny songbird; when it’s set free and returns to its flock, it’s considered an outcast, attacked and killed.

Episodically structured, it’s been adapted and directed by Vaclav Marhoul (Tobruk). The carnage is realistically photographed in 35 mm by Vladimir Smutny with supporting performances by Stellan Skarsgard, Julian Sands, Harvey Keitel and Udo Kier and Barry Pepper.

FYI: This film was the Czech Republic’s 2020 Oscar entry.

In Czech, German, Russian and pan-Slavic Esperanto with sparse English subtitles, on the Granger Movie Gauge of 1 to 10, “The Painted Bird” is a barbaric, stomach-churning 4. Under no circumstances would I recommend it.

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Susan Granger

Susan Granger is a product of Hollywood. Her natural father, S. Sylvan Simon, was a director and producer at R.K.O., M.G.M. and Columbia Pictures; her adoptive father, Armand Deutsch, produced movies at M.G.M. As a child, Susan appeared in movies with Abbott & Costello, Red Skelton, Lucille Ball, Margaret O'Brien and Lassie. She attended Mills College in California, studying journalism with Pierre Salinger, and graduated from the University of Pennsylvania with highest honors in journalism. During her adult life, Susan has been on radio and television as an anchorwoman and movie/drama critic. Her newspaper reviews have been syndicated around the world, and she has appeared on American Movie Classics cable television. In addition, her celebrity interviews and articles have been published in REDBOOK, PLAYBOY, FAMILY CIRCLE, COSMOPOLITAN, WORKING WOMAN and THE NEW YORK TIMES, as well as in PARIS MATCH, ELLE, HELLO, CARIBBEAN WORLD, ISLAND LIFE, MACO DESTINATIONS, NEWS LIMITED NEWSPAPERS (Australia), UK DAILY MAIL, UK SUNDAY MIRROR, DS (France), LA REPUBBLICA (Italy), BUNTE (Germany), VIP TRAVELLER (Krisworld) and many other international publications through SSG Syndicate. Susan also lectures on the "Magic and Mythology of Hollywood" and "Don't Take It Personally: Conquering Criticism and other Survival Skills," originally published on tape by Dove Audio.