MULAN – Review by Susan Granger

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To help build its budding streaming service during this pandemic, Disney decided to release the new, live-action version of its popular 1998 animated film on Disney+.

But unlike Hamilton and Beyonce’s Black is King, Disney is levying an additional ‘premium’ charge of $29.99 on top of the subscribers’ $6.99 monthly fee. This experiment capitalizes on growing demand for at-home movie-watching.

Based on the Chinese ballad of Hua Mulan, the plot follows an intrepid young woman (Yifei Liu) from a small village who poses as a man so she can take her father’s place, defending the Emperor (Jet Li) in the war against the Rouran, led by Bori Khan (Jason Scott Lee).

Agile and acrobatic, Hua Mulan’s audacious independence worries her parents (Rosalind Cho, Tzi Ma) who are shamed when Mulan steals her aging father’s sword and armor to take his place in the Imperial Army, gaining confidence in her fighting skills and earning the admiration of Chen Honghui (Yoson An).

Beijing’s Yifei Liu beat out 1,000 other actresses to snag the titular role for which she trained seven hours a day for three months. The scene of warriors on horseback, swiveling in the saddle to shoot arrows, is breath-taking!

While Yifei Liu performs most of her own stunts – riding, sword-fighting & martial arts – Gong Li steals the picture as the enigmatic warrior-sorceress Xianniang. Wearing a face-paint mask and intricate headgear, she transforms into various shapes, including a menacing flock of birds.

Working from a revised script by Rick Jaffa, Amanda Silver, Lauren Hynek and Elizabeth Martin, who eliminated the bouncy tunes and talking animals, it’s directed by New Zealand-born Niki Caro. Obviously inspired by imaginative Chinese filmmakers like Zhang Yimou and Tsui Hark, Ms. Caro previously delved into the theme of patriarchy in Whale Rider and North Country.

And kudos to cinematographer Mandy Walker, who captures majestic landscapes and superbly-choreographed fight sequences in this $200-million film, the priciest of Disney’s recent live-action remakes, including The Lion King and Aladdin.

FYI: In terms of diversity, despite the success of Parasite and Crazy Rich Asians, Asians are under-represented on the big screen despite Asian-Americans being the fastest-growing demographic. And Min-Na Wen (the original animated voice of Mulan) does a cameo, introducing Mulan to the Emperor.

On the Granger Movie Gauge of 1 to 10, Mulan is an exciting, action-packed 8. As long as you maintain your Disney+ subscription, you can watch it as many times as you like.

EDITOR’S NOTE: Mulan is AWFJ’s Movie of the Week for September 11, 2020

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Susan Granger

Susan Granger

Susan Granger is a product of Hollywood. Her natural father, S. Sylvan Simon, was a director and producer at R.K.O., M.G.M. and Columbia Pictures; her adoptive father, Armand Deutsch, produced movies at M.G.M. As a child, Susan appeared in movies with Abbott & Costello, Red Skelton, Lucille Ball, Margaret O'Brien and Lassie. She attended Mills College in California, studying journalism with Pierre Salinger, and graduated from the University of Pennsylvania, Phi Beta Kappa, with highest honors in journalism. During her adult life, Susan has been on radio and television as an anchorwoman and movie/drama critic. Her newspaper reviews have been syndicated around the world, and she has appeared on American Movie Classics cable television. In addition, her celebrity interviews and articles have been published in REDBOOK, PLAYBOY, FAMILY CIRCLE, COSMOPOLITAN, WORKING WOMAN and THE NEW YORK TIMES, as well as in PARIS MATCH, ELLE, HELLO, CARIBBEAN WORLD, ISLAND LIFE, MACO DESTINATIONS, NEWS LIMITED NEWSPAPERS (Australia), UK DAILY MAIL, UK SUNDAY MIRROR, DS (France), LA REPUBBLICA (Italy), BUNTE (Germany), VIP TRAVELLER (Krisworld) and many other international publications through SSG Syndicate. Susan also lectures on the "Magic and Mythology of Hollywood" and "Don't Take It Personally: Conquering Criticism and other Survival Skills," originally published on tape by Dove Audio.