TIM’S VERMEER (2013) – Retroview by Jennifer Merin

November 16, 2020November 16, 2020 Jennifer Merin 0 Comments Cinema Citizen, documentaries, films about art, Penn and Teller, penn gillette, Tim Jenison, tim's vermeer

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In this fascinating documentary, inventor Tim Jenison sets out to prove that the 17th century Dutch Master, deemed the greatest realist painter of all time, was secretly using an optical instrument to capture his photo-like images. It provides a uniquely original view of timeless masterpieces.

Demystifying Vermeer’s Realism

With extraordinary wit and charm, this exceptional art documentary follows several years in the life of computer softwear inventor Tim Jenison who took an intellectual odyssey, delving into the work of Johannes Vermeer, the 17th century Dutch master whose unparalleled photo-like realism on canvas has baffled art experts for centuries.

Jenison notes that Vermeer’s marvelous paintings have photo-like qualities. For example, objects situated within a specific depth of field have hard edges, while objects in the foreground have softer edges — as they do in photographs.

However, Vermeer painted before cameras existed. So, how did the artist see as a camera does, and create images so similar to those captured with a camera? Continue reading on CINEMA CITIZEN

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Jennifer Merin

Jennifer Merin is the Film Critic for Womens eNews and contributes the CINEMA CITIZEN blog for and is managing editor for Women on Film, the online magazine of the Alliance of Women Film Journalists, of which she is President. She has served as a regular critic and film-related interviewer for The New York Press and About.com. She has written about entertainment for USA Today, The L.A. Times, US Magazine, Ms. Magazine, Endless Vacation Magazine, Daily News, New York Post, SoHo News and other publications. After receiving her MFA from Tisch School of the Arts (Grad Acting), Jennifer performed at the O'Neill Theater Center's Playwrights Conference, Long Wharf Theater, American Place Theatre and LaMamma, where she worked with renown Japanese director, Shuji Terayama. She subsequently joined Terayama's theater company in Tokyo, where she also acted in films. Her journalism career began when she was asked to write about Terayama for The Drama Review. She became a regular contributor to the Christian Science Monitor after writing an article about Marketta Kimbrell's Theater For The Forgotten, with which she was performing at the time. She was an O'Neill Theater Center National Critics' Institute Fellow, and then became the institute's Coordinator. While teaching at the Universities of Wisconsin and Rhode Island, she wrote "A Directory of Festivals of Theater, Dance and Folklore Around the World," published by the International Theater Institute. Denmark's Odin Teatret's director, Eugenio Barba, wrote his manifesto in the form of a letter to "Dear Jennifer Merin," which has been published around the world, in languages as diverse as Farsi and Romanian. Jennifer's culturally-oriented travel column began in the LA Times in 1984, then moved to The Associated Press, LA Times Syndicate, Tribune Media, Creators Syndicate and (currently) Arcamax Publishing. She's been news writer/editor for ABC Radio Networks, on-air reporter for NBC, CBS Radio and, currently, for Westwood One's America In the Morning. She is a member of the Critics Choice Association in the Film, Documentary and TV branches and a voting member of the Black Reel Awards. For her AWFJ archive, type "Jennifer Merin" in the Search Box (upper right corner of screen).