NOMADLAND – Review by Susan Granger

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Combining essential elements of Grapes of Wrath and No Country For Old Men in this migrant drama, Chloe Zhao paints a subtle portrait of a resilient woman determined to survive despite devastating loss.

Widowed, 61 year-old Fern (Frances McDormand) lost everything in the 2008 financial collapse, including her home and her job in now-deserted Empire, Nevada. So she sets out alone across the American West in her ramshackle Ford Econoline van, joining a caravan of modern-day nomads, a rag-tag community, squatting in RV parks.

Cryptic, soft-spoken Fern has no savings, job or health plan, yet she’s fiercely defiant when asked if she’s homeless, bristling: “I’m houseless, not homeless. My home is my van.”

A former English teacher, Fern loves poetry, reciting Shakespeare’s “Sonnet 18.” Eschewing pity, she is smart, courageous and totally self-reliant, even if that means using a plastic bucket as a portable toilet

Adapted as a non-judgmental character study by director Chloe Zhao from Jessica Bruder’s nonfiction book Nomadland: Surviving America in the Twenty-First Century, collaborating with cinematographer/production designer Joshua James Richards, it authentically profiles with meandering realism not only Fern but also others who are stoically facing tremendous challenges.

Rugged, real-life nomads Linda May and Charlene Swankie guide Fern to YouTube guru Bob Wells, who discusses the perilous practicalities of van-living in his Rubber Stamp Rendezvous. And Fern forms a tenuous relationship with a fellow traveler (David Strathairn).

Chloe Zhao’s first two films – Songs My Brother Taught Me (2015) & The Rider (2018) – are glimpses of contemporary America from the perspective of a woman born in China and raised in England.

Filming in seven states during four months, Frances McDormand actually worked at harvesting beets and packaging Amazon orders with the CamperForce program. Apparently she blended so well into the nomadic community that a Target store offered her a job application.

As millions more Americans are facing poverty and food banks are overextended, it’s a sad fact that for many, a stable existence has simply become unaffordable.

On the Granger Movie Gauge of 1 to 10, Nomadland is a timely 10. As nomads say: “I’ll see you down the road…”

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Susan Granger

Susan Granger

Susan Granger is a product of Hollywood. Her natural father, S. Sylvan Simon, was a director and producer at R.K.O., M.G.M. and Columbia Pictures; her adoptive father, Armand Deutsch, produced movies at M.G.M. As a child, Susan appeared in movies with Abbott & Costello, Red Skelton, Lucille Ball, Margaret O'Brien and Lassie. She attended Mills College in California, studying journalism with Pierre Salinger, and graduated from the University of Pennsylvania, Phi Beta Kappa, with highest honors in journalism. During her adult life, Susan has been on radio and television as an anchorwoman and movie/drama critic. Her newspaper reviews have been syndicated around the world, and she has appeared on American Movie Classics cable television. In addition, her celebrity interviews and articles have been published in REDBOOK, PLAYBOY, FAMILY CIRCLE, COSMOPOLITAN, WORKING WOMAN and THE NEW YORK TIMES, as well as in PARIS MATCH, ELLE, HELLO, CARIBBEAN WORLD, ISLAND LIFE, MACO DESTINATIONS, NEWS LIMITED NEWSPAPERS (Australia), UK DAILY MAIL, UK SUNDAY MIRROR, DS (France), LA REPUBBLICA (Italy), BUNTE (Germany), VIP TRAVELLER (Krisworld) and many other international publications through SSG Syndicate. Susan also lectures on the "Magic and Mythology of Hollywood" and "Don't Take It Personally: Conquering Criticism and other Survival Skills," originally published on tape by Dove Audio.