THE FATHER – Review by Susan Granger

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First seen sitting in a chair, reading a book while listening to classical music in his posh London flat, Anthony Hopkins delivers a heartbreaking performance as an 80-year-old gentleman trying to come to terms with the subtle disorientation of dementia.

At this point, Anthony – that’s his character’s name, since director Florian Zeller wrote the role specifically for Hopkins – barely recognizes his devoted daughter, Anne (Olivia Colman), who is trying to introduce him to Laura (Imogen Poots), a new caregiver.

“I don’t need you! I don’t need anyone!” he snaps.

Yet time plays tricks on his mind. Is Anne really moving to Paris, as she tells him in the first scene? Why isn’t she still the young woman (Olivia Williams) he remembers? Is she married to the man (Mark Gatiss) reading a newspaper who identifies himself as his son-in-law? Or does she have a different husband (Rufus Sewell)?

Where is his favorite daughter, Lucy? Wasn’t the roast chicken already in the oven? And where did he put his watch?

Adapting his own award-winning French play, a sharp-edged character study delving into corrupted memories, Florian Zeller, collaborating with playwright Christopher Hampton, allows us to view his now-fragmented existence though irascible Anthony’s skewed perception.

At times brusque and occasionally charming, Anthony is deeply frightened, trying to make sense of a harrowing world he no longer fully comprehends.

“The film is dealing with a universal subject at this very moment in our lives – with loneliness, dementia, mental illness and suicide rates going up,” Hopkins notes.

Headed toward another Best Actor Oscar nomination, Anthony Hopkins won in 1992 as Hannibal Lecter in The Silence of the Lambs, followed by his unflappable butler in Merchant/Ivory’s Remains of the Day, the title role in Oliver Stone’s Nixon, and John Quincy Adams in Steven Spielberg’s Amistad. Last year, Hopkins was nominated for Best Supporting Actor as Pope Benedict in The Two Popes.

On the Granger Movie Gauge of 1 to 10, The Father is an empathetic 8, brilliantly acted and emotionally devastating.

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Susan Granger

Susan Granger is a product of Hollywood. Her natural father, S. Sylvan Simon, was a director and producer at R.K.O., M.G.M. and Columbia Pictures; her adoptive father, Armand Deutsch, produced movies at M.G.M. As a child, Susan appeared in movies with Abbott & Costello, Red Skelton, Lucille Ball, Margaret O'Brien and Lassie. She attended Mills College in California, studying journalism with Pierre Salinger, and graduated from the University of Pennsylvania, Phi Beta Kappa, with highest honors in journalism. During her adult life, Susan has been on radio and television as an anchorwoman and movie/drama critic. Her newspaper reviews have been syndicated around the world, and she has appeared on American Movie Classics cable television. In addition, her celebrity interviews and articles have been published in REDBOOK, PLAYBOY, FAMILY CIRCLE, COSMOPOLITAN, WORKING WOMAN and THE NEW YORK TIMES, as well as in PARIS MATCH, ELLE, HELLO, CARIBBEAN WORLD, ISLAND LIFE, MACO DESTINATIONS, NEWS LIMITED NEWSPAPERS (Australia), UK DAILY MAIL, UK SUNDAY MIRROR, DS (France), LA REPUBBLICA (Italy), BUNTE (Germany), VIP TRAVELLER (Krisworld) and many other international publications through SSG Syndicate. Susan also lectures on the "Magic and Mythology of Hollywood" and "Don't Take It Personally: Conquering Criticism and other Survival Skills," originally published on tape by Dove Audio.