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Greta Thunberg, Malala Yousafzai, and David Hogg notwithstanding, not every teen is ready to fight for justice and equality on a national — or international — scale. Director Amy Poehler’s charming Moxie, based on the YA novel by Jennifer Mathieu, will speak to the kids who want to make a difference but aren’t quite sure they’re meant for the spotlight.

Because, as central character Vivian (Hadley Robinson) discovers, we can all contribute to standing up against the system in our own way — and sometimes taking a few baby steps can lead to giant leaps. The film tells the story of Vivian’s awakening: She begins the movie as a caring but quiet high schooler who isn’t fond of her high school’s sexist traditions (rating the “most bangable” girl, etc.) but mostly just shrugs them off and moves on. Then, thanks to the arrival of outspoken new classmate Lucy (Alycia Pascual-Pena) and the discovery of her mom Lisa’s (Poehler) stash of ’90s-era protest paraphernalia, Vivian is inspired to create her own feminist zine: Moxie.

Vivian distributes Moxie anonymously in the girls’ bathrooms at school and is delighted to see it strike a chord with many of her classmates. More and more emboldened by Moxie‘s success — as well as her burgeoning friendship with Lucy and tentative romance with sweet Seth (Nico Hiraga) — Vivian is no longer willing to stand by while cocky jocks like Mitchell (Patrick Schwarzenegger) and patronizing administrators like Principal Shelly (Marcia Gay Harden) ignore the school’s underrepresented groups.

Moxie is at its best when Vivian and her group of diverse friends are scheming to undermine the system at their school, amplifying each other’s voices for all to hear. The power of listening to and believing others — and the validation of feeling seen and heard — comes through loud and clear. Poehler mostly stays out of the spotlight, offering a warm, relatable supporting performance as Lisa but turning her directorial focus squarely on the teen characters and their arcs. The result is a meaningful but lighthearted look at the value of activism, feminism, and friendship.– Betsy Bozdech

Team #MOTW’s comments:

Leslie Combemale Moxie is earnest to a fault, and it more authentically articulates riot grrl mom Lisa’s generation than that of her teen daughter and friends struggling with toxic masculinity, bullying, and sexualization happening at their high school. Those facts don’t make the movie any less entertaining. Relationships, between Vivian and her mom, and between the girls forging new friendships at school, are what drive the film and supply its heart. Whether the feminist message is a bit outdated to teen girls already fluent in an up-to-the-minute, truly intersectional feminism, it’s still a throwback to the places women have been to get where we are, and may yet inspire. Moms, see it with your girls. Girls, see it with your moms.

Marilyn Ferdinand Although the styles, the songs, and the slang change through the years, the tribulations of high school are universal. Cliques of popular kids, cool kids, and geeks negotiate harassment, first love, and parental expectations—and of course, the adults who run the school are clueless relics who just don’t understand. Moxie covers this familiar ground, but within the context of the MeToo and racial justice movements. Our protagonist, Vivian (Hadley Robinson), becomes more interested in the 90s grrl power activism of her mother (Amy Poehler) when a new girl (Alycia Pascual-Pena) in her English class questions the literary canon and stands up to the sexist, racist captain of the football team (Patrick Schwarzenegger). Watching Vivian find her power and empower allies all over campus offers a hopeful, upbeat message for young women and those who laid the groundwork for their liberation.

Sherin Nicole Moxie left me sitting firmly on the fence—the pointy part—which might’ve been exciting if it didn’t sting so much. The movie aspires to have the impact of a cross between Promising Young Woman and Booksmart but it never quite grasps the wit, symbolism, or righteous Riot Grrrl rage of either. And that lack is obvious before the stereotypes of the ‘Strong Blatinx Woman’ and the ‘Dutiful Asian Daughter’ make themselves known. Those stereotypes are even more irksome when those characters become ‘magical BIPOCs’, there to make the central white character’s journey more meaningful. No matter how accurately Moxie quotes various microaggressions from Twitter, or how great the actors are, those transgressions are blinking red lights. Other than that, there’s nothing technically wrong with the film but it is a little too obvious and a little too self-congratulatory. Which is a shame because it does have real moments of impact scattered throughout. While I appreciate Moxie’s goals, (much like the hearts & stars the young women draw on their hands to symbolize solidarity) I wish this movie had given me hearts and star-eyed feelings while watching it.

Sandie Angulo Chen: Based on Jennifer Mathieu’s award-winning feminist young adult novel, Moxie is a teen-friendly primer on how to discover your inner rebel girl, find your voice, and stand up to the man (both figuratively and literally). Director (and co-star) Amy Poehler knows her audience, so the “feminism 101” (as inspired by the Gen X mom) nature of the story is earnest and easy to follow. Hadley Robinson does a fine job of portraying introverted protagonist Vivian, who after hearing stories of her mom’s riotgrrrl days protesting injustices decides to print an old-school underground zine called Moxie after witnessing the school administration’s problematic and sexist enforcement of a dress code. While Vivian is clearly the main character, the best parts of the movie feature her diverse alliance of young feminists, particularly outspoken new girl Lucy (Alycia Pascual-Peña) and soccer stars Kiera (Sydney Park) and Amaya (Anjelika Washington), who are tired of the mediocre football outshining the championship girl’s teams. Despite a small misstep that works better on the page than on the screen (the handling of a sexual assault victim’s confession), this is a charming and thought-provoking Netflix pick, particularly for families with teens (of all genders).

Nell Minow: Moxie’s emphasis on finding ways for the girls to support each other despite their differences is especially nuanced. The film should spark some important conversations and some second thoughts about the line between “boys will be boys” and recognizing and stopping damaging behavior. It even might inspire some stars and hearts, some zines, and other ways for girls to tell their stories.

Jennifer Merin Amy Poehler’s very refreshing coming of age dramedy in which a diverse group teen girls bond, form a secret and subversive club to support each other in fighting back against male bullies — two totally objectionable but very popular football players, in particular  — in their school and challenge the policies of the over zealous female principal who turns a blind eye to the pervasive problem. Read full review

Susan Wloszczyna: Well, in this day and age, never would I think that a teen-aimed movie would cause me to Google how many R’s are in riot grrrl. But leave it to Amy Poehler to introduce a rage-filled femme-forward music movement spin-off of punk from the ‘90s to the Covid-19 generation. In Moxie, whose script is based on a YA novel, she shows up both in front of the camera as a semi-cool mom of an introverted high-schooler and behind it as it director. But the focus is on Hadley Robinson as her daughter Vivian, who is trying to define herself while facing the task of writing a college essay. Read full review.

Loren King Amy Poehler is a comic genius so her move behind the camera is something to celebrate. But her second feature, Moxie, based on Jennifer Mathieu’s YA novel with a well-meaning but scattershot script from Tamara Chestna and Dylan Meyer, is likable but inconsequential, reducing #metoo and youthful activism to sitcom formula. It’s entertaining and certainly watchable but it seems diluted for mass consumption. The target audience of teenagers who, after all, are some of our most proactive and resourceful citizens, are likely well past its bland portrait of awakened anger and direct action. Read full review.

Liz Whittemore Moxie not only encapsulates the ongoing patriarchal structure but allows the next generation to learn about their own feminist awakening in the process. Through great music and genuinely fierce performances from a fresh young cast, this film is one that mothers of all ages can be proud to watch alongside not only their daughters but their sons. It manages to be teachable because it’s so authentic. Amy Poehler’s direction has an accessible quality that will resonate with so many viewers. With lessons of passion, acceptance, intersectionality, Moxie is an intelligent coming-of-age story. It’s not surprising that’s it’s already in Netflix’s Top 10 list. You just want to rock along with these girls. The energy is infectious.

Cate Marquis Amy Poehler directs Moxie, a coming-of-age high school dramedy with a feminist slant. Shy girl Vivian (Hadley Robinson) and Claudia (Lauren Tsai) have been best friends forever and are glad to get by unnoticed at their gossipy, sports-dominated high school, where principal Shelly (Marsha Gay Harden) lionizes the handsome, obnoxious captain of the football team (Patrick Schwarzenegger). But the arrival of an out-spoken new girl, Lucy (Alycia Pascal) challenges both their friendship and the school’s status quo. What starts out as a familiar high school tale becomes increasingly interesting and original after Vivian, inspired by her new friend’s boldness and own mother’s (Amy Poehler) radical feminist past, secretly launches Moxie, an zine that scathingly calls out sexist behavior at her school. Moxie is sure to please Poehler fans while also offering a positive, uplifting feminist message.



Title: Moxie

Directors: Amy Poehler

Release Date: March 3, 2021

Running Time: 111 minutes

Language: English

Screenwriters: Tamara Chestna and Dylan Meyer, based on the novel by Jennifer Mathieu

Distribution Company: Netflix


Official Website

AWFJ Movie of the Week Panel Members: Sandie Angulo Chen, Marina Antunes, Nikki Baughan, Betsy Bozdech, Leslie Combemale, Marilyn Ferdinand, Pam Grady, Loren King, Cate Marquis, Jennifer Merin, Nell Minow, Sherin Nicole, Liz Whittemore, Susan Wloszczyna

Previous #MOTW Selections

Other Movies Opening This Week

Edited by Jennifer Merin

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Jennifer Merin

Jennifer Merin is the Film Critic for Womens eNews and contributes the CINEMA CITIZEN blog for and is managing editor for Women on Film, the online magazine of the Alliance of Women Film Journalists, of which she is President. She has served as a regular critic and film-related interviewer for The New York Press and She has written about entertainment for USA Today, The L.A. Times, US Magazine, Ms. Magazine, Endless Vacation Magazine, Daily News, New York Post, SoHo News and other publications. After receiving her MFA from Tisch School of the Arts (Grad Acting), Jennifer performed at the O'Neill Theater Center's Playwrights Conference, Long Wharf Theater, American Place Theatre and LaMamma, where she worked with renown Japanese director, Shuji Terayama. She subsequently joined Terayama's theater company in Tokyo, where she also acted in films. Her journalism career began when she was asked to write about Terayama for The Drama Review. She became a regular contributor to the Christian Science Monitor after writing an article about Marketta Kimbrell's Theater For The Forgotten, with which she was performing at the time. She was an O'Neill Theater Center National Critics' Institute Fellow, and then became the institute's Coordinator. While teaching at the Universities of Wisconsin and Rhode Island, she wrote "A Directory of Festivals of Theater, Dance and Folklore Around the World," published by the International Theater Institute. Denmark's Odin Teatret's director, Eugenio Barba, wrote his manifesto in the form of a letter to "Dear Jennifer Merin," which has been published around the world, in languages as diverse as Farsi and Romanian. Jennifer's culturally-oriented travel column began in the LA Times in 1984, then moved to The Associated Press, LA Times Syndicate, Tribune Media, Creators Syndicate and (currently) Arcamax Publishing. She's been news writer/editor for ABC Radio Networks, on-air reporter for NBC, CBS Radio and, currently, for Westwood One's America In the Morning. She is a member of the Critics Choice Association in the Film, Documentary and TV branches and a voting member of the Black Reel Awards. For her AWFJ archive, type "Jennifer Merin" in the Search Box (upper right corner of screen).