CONCRETE COWBOY – Review by Susan Granger

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This Eastern Western on Netflix reveals a segment of Black history that most of us were not aware of.

Several years ago, commercial writer/director Ricky Staub looked outside his office window in North Philadelphia and was stunned to see a horse and buggy going down the street – like a remnant of another century.

On further investigation, he realized his office was only a mile away from the Fletcher Street stables, a non-profit organization that’s been dedicated to inner-city horsemanship for 100 years. That prompted him to write this fictionalized, coming-of-age family drama, revolving around this riding culture.

When rebellious 15 year-old Cole (Caleb McLaughlin) is expelled from yet another Detroit school, his distraught, single mother (Liz Priestly) drives him to Philadelphia to live with his estranged father, Harp (Idris Elba), an ex-con who has found his purpose working with horses.

Barely suppressing his intense feelings of abandonment, defiant Cole hardly knows his father, a gruff disciplinarian who puts him to work mucking out stalls in the stable and criticizes Cole’s spending time with Smoosh (Jharrel Jerome), a childhood friend who is heavily into dealing drugs.

Basing his emotionally-involving script on G. Neri’s YA novel Ghetto Cowboy (2011), Ricky Staub chose to work with real people, rather than professional actors, like Chloe Zhao (Nomadland, The Rider). Staub cast real Fletcher Street riders, authentic urban cowboys (Ivannah-Mercedes, Jamil “Mil” Prattis, Michael Upshur, Albert C. Lynch Jr.), for 10 of the film’s 25 speaking roles, particularly for pivotal scenes at horse races and around the campfire.

To avoiding the expense of building sets, Staub filmed on real locations, like the stoops of nearby townhouses, using natural lighting. Idris Elba (Thor) and Caleb McLaughlin (Stranger Things) did their own riding, which was a challenge since Elba is allergic to horses and McLaughlin hadn’t ridden since he was a child.

Environmental drama also plays a role, since the Fletcher Street stables in the Strawberry Mansion neighborhood has become a victim of gentrification.

On the Granger Gauge of 1 to 10, Concrete Cowboy is a subculture-solid 7. Saddle up!

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Susan Granger

Susan Granger is a product of Hollywood. Her natural father, S. Sylvan Simon, was a director and producer at R.K.O., M.G.M. and Columbia Pictures; her adoptive father, Armand Deutsch, produced movies at M.G.M. As a child, Susan appeared in movies with Abbott & Costello, Red Skelton, Lucille Ball, Margaret O'Brien and Lassie. She attended Mills College in California, studying journalism with Pierre Salinger, and graduated from the University of Pennsylvania with highest honors in journalism. During her adult life, Susan has been on radio and television as an anchorwoman and movie/drama critic. Her newspaper reviews have been syndicated around the world, and she has appeared on American Movie Classics cable television. In addition, her celebrity interviews and articles have been published in REDBOOK, PLAYBOY, FAMILY CIRCLE, COSMOPOLITAN, WORKING WOMAN and THE NEW YORK TIMES, as well as in PARIS MATCH, ELLE, HELLO, CARIBBEAN WORLD, ISLAND LIFE, MACO DESTINATIONS, NEWS LIMITED NEWSPAPERS (Australia), UK DAILY MAIL, UK SUNDAY MIRROR, DS (France), LA REPUBBLICA (Italy), BUNTE (Germany), VIP TRAVELLER (Krisworld) and many other international publications through SSG Syndicate. Susan also lectures on the "Magic and Mythology of Hollywood" and "Don't Take It Personally: Conquering Criticism and other Survival Skills," originally published on tape by Dove Audio.