THE NEVERS – Review by Susan Granger

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Set in London in 1896 during the last years of Queen Victoria’s reign, this new HBO six-episode, sci-fi series revolves around ‘Touched’ people – mostly women – who suddenly manifest an astonishing variety of abnormal abilities.

The phenomenon begins with a spectral glow in the overcast sky as glittering particles fall to Earth. Suddenly, young women, many from the lower classes, demonstrate mysterious capabilities – so extraordinary that they’re considered threatening by wealthy, aristocratic men.

Widowed Amalia True (Laura Donnelly), who often has disturbing ‘glimpses’ of the future, is determined to save and shelter these outcasts in an Orphanage where they can thrive. She’s joined by an intrepid inventor, Penance Adair (Ann Skelly), who can visualize and predict the flow of electricity and direct it where it needs to go, creating clever new devices far ahead of her time.

Heiress Lavinia Bidlow (Olivia Williams) provides finances for the Orphanage. But how does her brother, Augie Bidlow (Tom Riley), figure in the plot?

Early on, Amalia and Penance go to the Opera, where they encounter Maladie (Amy Manson), a ‘Touched’ killer, and Mary (Eleanor Tomlinson), whose singing reveals the ‘Touched’ to one another.

Colorful characters with sub-plots abound. There’s diabolical Doctor Edmund Hague (Dennis O’Hare), who’s curious about how the brains of the ‘Touched’ work; Lord Massen (Pip Torrens), who rages against the ‘Touched’; Frank Mundi (Ben Chaplin), a police inspector pursuing Maladie; Hugo Swann (James Norton), who runs a sex club for the super-rich; and the Beggar King (Nick Frost).

Created by Joss Whedon (Buffy the Vampire Slayer, Agents of S.H.I.E.L.D) and scripted by his longtime collaborators Jane Espenson and Doug Petrie, it’s unfortunately unfocused and uneven – probably with good reason.

After accusations of “abusive, unprofessional” behavior by several actors with whom he’s worked in the past, Whedon abruptly left the series in November, 2020, and was replaced as showrunner/executive producer by Philippa Goslett.

On the Granger Gauge of 1 to 10, The Nevers is a supernatural 6, streaming on HBO Max.

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Susan Granger

Susan Granger is a product of Hollywood. Her natural father, S. Sylvan Simon, was a director and producer at R.K.O., M.G.M. and Columbia Pictures; her adoptive father, Armand Deutsch, produced movies at M.G.M. As a child, Susan appeared in movies with Abbott & Costello, Red Skelton, Lucille Ball, Margaret O'Brien and Lassie. She attended Mills College in California, studying journalism with Pierre Salinger, and graduated from the University of Pennsylvania, Phi Beta Kappa, with highest honors in journalism. During her adult life, Susan has been on radio and television as an anchorwoman and movie/drama critic. Her newspaper reviews have been syndicated around the world, and she has appeared on American Movie Classics cable television. In addition, her celebrity interviews and articles have been published in REDBOOK, PLAYBOY, FAMILY CIRCLE, COSMOPOLITAN, WORKING WOMAN and THE NEW YORK TIMES, as well as in PARIS MATCH, ELLE, HELLO, CARIBBEAN WORLD, ISLAND LIFE, MACO DESTINATIONS, NEWS LIMITED NEWSPAPERS (Australia), UK DAILY MAIL, UK SUNDAY MIRROR, DS (France), LA REPUBBLICA (Italy), BUNTE (Germany), VIP TRAVELLER (Krisworld) and many other international publications through SSG Syndicate. Susan also lectures on the "Magic and Mythology of Hollywood" and "Don't Take It Personally: Conquering Criticism and other Survival Skills," originally published on tape by Dove Audio.