THE VIRTUOSO – Review by Susan Granger

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What a shame that – after winning the 2021 Best Actor Academy Award for The Father – Anthony Hopkins’ new neo-noir thriller is such a dud!

The titular character (Anson Mount) is a nameless contract killer, a methodical mercenary, who shows no remorse about the way he earns a living…until a woman, an innocent bystander, is burned to death in front of her young child. He knows it’s “collateral damage,” but the horror awakens his conscience.

And since he narrates the story in a monotone, it’s told entirely from the taciturn hitman’s point-of-view: “Perfection demands precision. Precision demands perserverance.”

When his Mentor (Anthony Hopkins) calls again, the assassin is dispatched to a small town in the middle of nowhere, looking for someone connected with the cryptic words “White Rivers.”

At precisely 5 pm, he enters Rosie’s Roadside Café, where he encounters several customers: Handsome Johnnie (Richard Brake) sitting with his Girl (Diora Baird), a gun-toting Loner (Eddie Marsan), and a Deputy Sheriff (David Morse), along with an overtly flirtatious Waitress (Abbie Cornish).

Having no idea who his quarry is, the Virtuoso waits for each of them to leave and then proceeds to target and track them down, hoping to discern the meaning and significance of “White Rivers.” At the same time, he begins to suffer from PTSD.

Working from a contrived, cliché-cluttered screenplay by James C. Wolf, it’s inconsistently directed by Nick Stagliano, who managed to attract a stellar cast to this mediocre material, filmed in a digital format.

Best known from TV’s Hell on Wheels and Star Trek: Discovery, Anson Mount is a stoically handsome but inherently enigmatic protagonist. Anthony Hopkins’ appearance is brief but he delivers a rambling, yet memorable graveside monologue about how he and The Virtuoso’s father participated in massacre of innocent children and civilians during the Vietnam War.

On the Granger Gauge of 1 to 10, The Virtuoso is a floundering 4, a waste of time and talent. Available at Redbox kiosks and streaming on Fandango Now, Vudu and Prime Video.

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Susan Granger

Susan Granger is a product of Hollywood. Her natural father, S. Sylvan Simon, was a director and producer at R.K.O., M.G.M. and Columbia Pictures; her adoptive father, Armand Deutsch, produced movies at M.G.M. As a child, Susan appeared in movies with Abbott & Costello, Red Skelton, Lucille Ball, Margaret O'Brien and Lassie. She attended Mills College in California, studying journalism with Pierre Salinger, and graduated from the University of Pennsylvania with highest honors in journalism. During her adult life, Susan has been on radio and television as an anchorwoman and movie/drama critic. Her newspaper reviews have been syndicated around the world, and she has appeared on American Movie Classics cable television. In addition, her celebrity interviews and articles have been published in REDBOOK, PLAYBOY, FAMILY CIRCLE, COSMOPOLITAN, WORKING WOMAN and THE NEW YORK TIMES, as well as in PARIS MATCH, ELLE, HELLO, CARIBBEAN WORLD, ISLAND LIFE, MACO DESTINATIONS, NEWS LIMITED NEWSPAPERS (Australia), UK DAILY MAIL, UK SUNDAY MIRROR, DS (France), LA REPUBBLICA (Italy), BUNTE (Germany), VIP TRAVELLER (Krisworld) and many other international publications through SSG Syndicate. Susan also lectures on the "Magic and Mythology of Hollywood" and "Don't Take It Personally: Conquering Criticism and other Survival Skills," originally published on tape by Dove Audio.