CRISIS – Review by Susan Granger

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Writer/director Nicholas Jarecki’s dramatic thriller revolves around three aspects of the opioid Crisis.

There’s architect/single mother Claire Reimann (Evangeline Lilly), who is recovering from an Oxycodone addition when her 16 year-old hockey-playing son suspiciously disappears and she discovers he’s tragically involved in drug-smuggling operation.

Then there’s undercover DEA agent Jake Kelly (Armie Hammer), who is tracking a gang that runs prescription painkillers, primarily Fentanyl, across the U.S.-Canadian border. He’s infiltrated a Montreal-based operation that’s run by a menacing mobster code-named ‘Mother’ (Guy Nadon).

At the same time, Kelly’s dealing with his own defiantly drug-addicted younger sister Emmie (Lily-Rose Depp, Johnny’s daughter).

And the third narrative revolves around Dr. Tyrone Brower (Gary Oldman), a university biology professor who supplements his laboratory’s income by doing research for a pharmaceutical company. He faces an ethical predicament when he discovers a serious problem with the company’s latest, supposedly non-addictive painkiller that’s on the verge of FDA approval.

Reminiscent of Steven Soderbergh’s Crash (2005), these three stories eventually intertwine as Jarecki (Arbitrage) delves into the entire chain of opioid addiction – from the companies that manufacture the prescription drugs that are eventually sold on the street to the dilemmas of law enforcement officers.

Greg Kinnear, Luke Evans and Michelle Rodriguez complete the star-studded cast.

Made before the Covid pandemic, it does seem a bit dated and didactic. It’s also hampered by the current scandal involving actor Armie Hammer (Call Me By Your Name) under investigation by the LAPD for accusations of sexual assault, along with allegations of sadism and cannibal sexts. A great-grandson of Armand Hammer, Armie Hammer is an heir to the Occidental Petroleum fortune.

On the Granger Gauge of 1 to 10, Crisis is a sprawling, high-stakes yet superficial 6, streaming on Prime Video, Vudu and Fandango Now.

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Susan Granger

Susan Granger is a product of Hollywood. Her natural father, S. Sylvan Simon, was a director and producer at R.K.O., M.G.M. and Columbia Pictures; her adoptive father, Armand Deutsch, produced movies at M.G.M. As a child, Susan appeared in movies with Abbott & Costello, Red Skelton, Lucille Ball, Margaret O'Brien and Lassie. She attended Mills College in California, studying journalism with Pierre Salinger, and graduated from the University of Pennsylvania, Phi Beta Kappa, with highest honors in journalism. During her adult life, Susan has been on radio and television as an anchorwoman and movie/drama critic. Her newspaper reviews have been syndicated around the world, and she has appeared on American Movie Classics cable television. In addition, her celebrity interviews and articles have been published in REDBOOK, PLAYBOY, FAMILY CIRCLE, COSMOPOLITAN, WORKING WOMAN and THE NEW YORK TIMES, as well as in PARIS MATCH, ELLE, HELLO, CARIBBEAN WORLD, ISLAND LIFE, MACO DESTINATIONS, NEWS LIMITED NEWSPAPERS (Australia), UK DAILY MAIL, UK SUNDAY MIRROR, DS (France), LA REPUBBLICA (Italy), BUNTE (Germany), VIP TRAVELLER (Krisworld) and many other international publications through SSG Syndicate. Susan also lectures on the "Magic and Mythology of Hollywood" and "Don't Take It Personally: Conquering Criticism and other Survival Skills," originally published on tape by Dove Audio.