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After three Iron Man movies, a trio of Thors, three Captain Americas, and even two Ant-Man adventures, there’s no question that Natasha Romanoff — the Marvel Cinematic Universe’s main (and, for far too long, only) female Avenger — was overdue for her own stand-alone film. Cate Shortland’s Black Widow rises to the occasion, exploring Natasha’s complex history and motivations … accompanied, of course, by a hefty dose of kick-ass action.

The movie opens with a flashback to Natasha’s youth, revealing that she was part of a faux family established to provide cover to her “parents,” super soldier Alexei “Red Guardian” Shostakov (David Harbour) and brilliant scientist Melina Vostokoff (Rachel Weisz). When their mission ended, Natasha and her “little sister,” Yelena, were forcibly taken to the Red Room, a Russian facility masterminded by the evil Dreykov (Ray Winstone) to turn lost girls into deadly assassins. Natasha (Scarlett Johansson) became a star pupil, but her path ultimately led her to join the Avengers, where she tried to atone for some of her sins.

The bulk of Black Widow takes place between the events of Captain America: Civil War and Avengers: Infinity War. Dodging the U.S. government, which wants to arrest her for being in violation of the Sokovia Accords, Natasha ends up reconnecting with Yelena (Florence Pugh), who’s working to free Dreykov’s retinue of “widows” from the mind control they’ve been subjected to. In order to succeed, they’ll need to reunite their undercover family, a task that will require all of their skills.

It’s always a little anticlimactic to watch a prequel/flashback movie about a character when you already know their ultimate fate (and therefore also know they’re not really at risk), but thanks to a strong cast and well-defined characters, Black Widow succeeds. On the surface, it’s a fairly standard action flick, with heroes, villains, double crosses, fake outs, a MacGuffin or two, and tons of explosions. And it’s certainly fun on that level. But look a little deeper, and you’ll see that Shortland is telling a story about women’s agency and right to choose. Not every woman can stick up for herself with knives and acrobatic fight moves, but we can all speak up for our sisters and stand by their side when they need our help. Or a helicopter to fly. — Betsy Bozdech

Team #MOTW’s comments:

Sherin Nicole Black Widow is a nice surprise for action fans. This new Marvel movie launches into the espionage genre with the unblinking verve of a Bourne or a Nikita. It’s an unexpected form for an Avengers offshoot to take. But that’s what makes it work. The filmmaking is tailored to the Natasha Romanoff character, not to the wider cinematic universe. That’s good decision making. Director Cate Shortland gets it—the storytelling and found family dynamics are strong, especially when framed by epic set pieces and unexpected jolts of droll. And the twists keep coming, which makes story crafters Jac Schaeffer and Ned Benson along with scribe Eric Pearson worthy accomplices to Shortland’s vision. Black Widow aims for spy craft action and doesn’t miss. Read full review.

Pam Grady: Scarlett Johansson bids adieu to Natasha Romanoff aka Black Widow in this thrilling action adventure that also introduces a new bad-ass superheroine in Florence Pugh’s Yelena Belova. “Sestras” reunite to take on Dreykov (Ray Winstone), the man responsible for turning them into relentless assassins. As typical in any Marvel movie, there are huge set pieces and massive battles. David Harbour is hilarious in comic relief as bumbling antisuperhero Red Guardian, while Rachel Weisz offers more serious support as Russian spy Melina. Pugh as boisterous Yelena has the showiest role, but Johansson provides Black Widow’s emotional center with a resonant, deeply felt performance. Aussie director Cate Shortland (Lore, Berlin Syndrome) proves a capable hand at the rock-em-sock-em action; explosive; outsized violence; and huge dollops of humor that mark the Marvel universe as she brings Black Widow’s saga to a satisfying close. Read full review.

Jennifer Merin Cate Shortland’s directorial perspective and prowess are evident in every frame of Black Widow. She has not only created a beautifully crafted and technically impressive flick, she’s planted seeds for serious thought and discourse that make Black Widow meaningful and memorable. You don’t need to be an MCU aficionado to enjoy Black Widow, and it may not make an MCU devotee of you, but film has sufficient substance to maybe make you want to watch it twice. Read full review.

Nell Minow: Surprise! It isn’t only the male Avengers who have stories enough for a stand-alone film. Producer Scarlett Johansson and director Cate Shortland finally do Natasha justice, with a layered story weaving in action, family, and humor, each enhancing and deepening the others. And it is a love story, not a romance, but a story about love of family, however non-standard and dysfunctional, the families we grow up with and the families we create once we are grown, sometimes the same people, sometimes not. It is also a story about how we create ourselves, formed in part by our past but ultimately formed by our sense of who we want to be. Read full review.

Sandie Angulo Chen: We don’t usually pick franchise films for #MOTW, but the Marvel Cinematic Universe’s Black Widow has managed to imbue the backstory of Scarlett Johansson’s character Natasha Romanoff with a touching twist that explains more about her origin story. The action film also introduces Natasha’s sister Yelena Bolova (Florence Pugh), who seeks out her Avenger sister to help save all of the active black widows being held under mind control. Director Cate Shortland, working off a script by Eric Pearson, focuses on the relationship between Natasha and Yelena in this missing moment between Civil War and Infinity War. Pugh, as always, gives a fantastic performance, and Johansson, who has played Natasha for the past 11 years and is a producer on the film, looks delighted to reclaim and retell this part of her character’s past. A story about the meaning of sisterhood, family, and agency that explores feminist themes and explores the MCU’s most prominent woman.

Leslie Combemale There are a number of derivative story elements, but they are packaged in a new and empowering way, even as they stretch our suspension of disbelief to a near-breaking point. Who am I kidding? Marvel is fantasy. Natasha is a super soldier in a world where she’s friends with a Norse God, a man who shrinks to the size of an atom, and a dude who woke up after being frozen in ice for over 50 years. Read full review.

Cate Marquis Finally, it’s the girls’ turn to be the superhero! After so many Marvel comics movies where women, no matter how powerful, are relegated to supporting roles, Black Widow puts a real female character fully in charge and at the center of the comic book action. Sure, Brie Larson starred as Captain Marvel but, truth be told, that character is a space being that might look like a human, female or male, which is how the Marvel universe flipped the gender. But Marvel’s Black Widow is a human woman, albeit one with a special set of skills, and Scarlet Johansson leads in a femme-centric tale packed “girl-power” action and sisterhood partnership. Packed with fast-paced fantasy adventure action, plenty of quips, and with a marvelous (pun-intended) Florence Pugh as her sister and equally marvelous Rachel Weisz as brainy mom, the women run this show while the men largely are relegated to supporting roles. Sure, it’s just popcorn entertainment and, like all superhero movies, packed with cartoon violence, but it sure is refreshing, and highly entertaining too. Pass the popcorn – and let the women take charge. They have waited long enough.

EDITOR’S NOTE: Comments by the full panel of Team #MOTW members are missing due to lack of timely access of the film.



Title: Black Widow

Director: Cate Shortland

Release Date: July 9, 2021

Running Time: 133 minutes

Language: English

Screenwriter: Eric Pearson, story by Jac Schaeffer and Ned Benson, based on Marvel comics by Stan Lee, Don Heck and Don Rico

Distribution Company: Disney, Marvel Studios

Official Website

AWFJ Movie of the Week Panel Members: Sandie Angulo Chen, Betsy Bozdech, Leslie Combemale, Marilyn Ferdinand, Pam Grady, Loren King, Cate Marquis, Jennifer Merin, Nell Minow, Sherin Nicole, Liz Whittemore, Susan Wloszczyna

Previous #MOTW Selections

Other Movies Opening This Week

Edited by Jennifer Merin

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Jennifer Merin

Jennifer Merin is the Film Critic for Womens eNews and contributes the CINEMA CITIZEN blog for and is managing editor for Women on Film, the online magazine of the Alliance of Women Film Journalists, of which she is President. She has served as a regular critic and film-related interviewer for The New York Press and She has written about entertainment for USA Today, The L.A. Times, US Magazine, Ms. Magazine, Endless Vacation Magazine, Daily News, New York Post, SoHo News and other publications. After receiving her MFA from Tisch School of the Arts (Grad Acting), Jennifer performed at the O'Neill Theater Center's Playwrights Conference, Long Wharf Theater, American Place Theatre and LaMamma, where she worked with renown Japanese director, Shuji Terayama. She subsequently joined Terayama's theater company in Tokyo, where she also acted in films. Her journalism career began when she was asked to write about Terayama for The Drama Review. She became a regular contributor to the Christian Science Monitor after writing an article about Marketta Kimbrell's Theater For The Forgotten, with which she was performing at the time. She was an O'Neill Theater Center National Critics' Institute Fellow, and then became the institute's Coordinator. While teaching at the Universities of Wisconsin and Rhode Island, she wrote "A Directory of Festivals of Theater, Dance and Folklore Around the World," published by the International Theater Institute. Denmark's Odin Teatret's director, Eugenio Barba, wrote his manifesto in the form of a letter to "Dear Jennifer Merin," which has been published around the world, in languages as diverse as Farsi and Romanian. Jennifer's culturally-oriented travel column began in the LA Times in 1984, then moved to The Associated Press, LA Times Syndicate, Tribune Media, Creators Syndicate and (currently) Arcamax Publishing. She's been news writer/editor for ABC Radio Networks, on-air reporter for NBC, CBS Radio and, currently, for Westwood One's America In the Morning. She is a member of the Critics Choice Association in the Film, Documentary and TV branches and a voting member of the Black Reel Awards. For her AWFJ archive, type "Jennifer Merin" in the Search Box (upper right corner of screen).