JOLT – Review by Leslie Combemale

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Kate Beckinsale pummels, punches, kicks and shoots her way through new action comedy Jolt, and looks spectacular every minute doing so. The fact that the actor is 47 is not an issue and is never brought up, which is as it should be. No doubt that is to the credit of director Tanya Wexler, who has the unenviable task of making a story work that is only marginally more believable than Beckinsale’s more famous property Underworld, which is populated with vampires and werewolves. It is the spirited, impressive Beckinsale and her co-stars that make Jolt worth watching, and only then as a streaming option, preferably late at night after an edible, or a cocktail, or both.

Lindy (Beckinsale) has a dark sense of humor and approaches life with a sanguine attitude, especially for a woman who routinely has to cause herself pain. She has a rare neurological disorder that can’t filter her rage, creates excess adrenaline hormones, and causes spontaneous murderous impulses. Her only recourse has been an experimental electrode device invented by her psychiatrist Dr. Munchin (Stanley Tucci) that pumps high voltage shocks into her system at the press of a button she controls. When Justin (Jai Courtney), a man she has only just begun to have feelings for is murdered, she finds herself driven to find and put down his killer. Slowing her down are detectives Nevin and Vicars (Laverne Cox and Bobby Cannavale) who are torn between sympathy and suspicion of Lindy and her mission.

I contend there has never been a movie that Stanley Tucci or Bobby Cannavale haven’t elevated, and Jolt is no exception. It is also starting to look like we can add Laverne Cox to that list, who is, interestingly, in the similarly revenge-fueled, yet far better, Promising Young Woman. For all three of these supporting cast members, the script blessedly offers a bit of character development between action set pieces that hooks the audience just enough to stave off one too many eye rolls. Beckinsale herself uses voice modulation in her delivery in an interesting way that makes the jokes work better than they should. She has always been a good actor who is also unafraid to don a spandex catsuit or flesh out a populist B-movie for feminist fun, giggles, and a paycheck. Here she goes again, and the movie is way better for it.

Don’t look for too much in Jolt. If you forgive its predictability and accept it for the explosive fun it’s meant to be, it might be just the right amount of shock to your system on a Saturday night.

3 out of 5 stars.

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Leslie Combemale

Leslie Combemale writes as Cinema Siren on her own website,, and is a frequent contributor to MPA's, where she interviews filmmakers above and below the line, with a focus on women and diverse voices. She is the Senior Contributor at Leslie is in her 9th year as producer and moderator of the influential "Women Rocking Hollywood" panel at San Diego Comic-Con. She is a world-renowned expert on cinema art and her film art gallery, ArtInsights, located near DC, has celebrated cinema art and artists for 30 years.