THE GREEN KNIGHT – Review by Susan Granger

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Years ago, as an English major, I had to read a rather long, boring 14th century epic poem from the Arthurian legend called Sir Gawain and the Green Knight. Now, visual storyteller David Lowery has revitalized and enhanced this chivalric romance.

Young Gawain (Dev Patel) is a dissolute youth, son of enchantress Morgan le Fay (Sarita Choudhury), who spends most of his time carousing with Essel (Alicia Vikander).

On Christmas Day in the court of aging King Arthur (Sean Harris) and Queen Guinevere (Kate Dickie), regal Arthur summons his nephew Gawain to sit beside him at the feast, expressing regret that he hasn’t spent more time with him. Guinevere reassures the lad that, someday, he will take his rightful place at the Round Table as the “boldest of blood and wildest of heart.”

Suddenly, a towering, ominous figure – resembling half armor-clad man and half-gnarled tree – gallops in on horseback. The Green Knight (Ralph Ineson) challenges any nobleman to strike him with his mighty sword on the condition that – one year hence – he will return the blow in his Green Chapel.

When no one else volunteers, Gawain accepts, decapitating the Green Knight, who promptly retrieves his head and reiterates the young man’s promise to meet him again the following Christmas.

“I fear I am not made for greatness,” insecure Gawain muses before his departure across the wintry landscape in the murky mists of time. But King Arthur believes in his potential, even as Gawain continues to doubt himself.

On the road to meet his destiny, Gawain must face a series of fearsome trials, tribulations and temptations as he gradually learns the true nature of chivalry.

Led by 31 year-old Dev Patel, the compelling performances, Andrew Droz Palermo’s cinematography, Jade Healy’s production design, Malgosia Turzanska’s costume design, Daniel Hart’s music (lutes and harps) and the CGI splendidly augment each other, bringing various chapters of medieval literature to life with spellbinding imagery.

On the Granger Gauge of 1 to 10, “The Green Knight” is an enchanting 8, playing in local theaters.

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Susan Granger

Susan Granger is a product of Hollywood. Her natural father, S. Sylvan Simon, was a director and producer at R.K.O., M.G.M. and Columbia Pictures; her adoptive father, Armand Deutsch, produced movies at M.G.M. As a child, Susan appeared in movies with Abbott & Costello, Red Skelton, Lucille Ball, Margaret O'Brien and Lassie. She attended Mills College in California, studying journalism with Pierre Salinger, and graduated from the University of Pennsylvania, Phi Beta Kappa, with highest honors in journalism. During her adult life, Susan has been on radio and television as an anchorwoman and movie/drama critic. Her newspaper reviews have been syndicated around the world, and she has appeared on American Movie Classics cable television. In addition, her celebrity interviews and articles have been published in REDBOOK, PLAYBOY, FAMILY CIRCLE, COSMOPOLITAN, WORKING WOMAN and THE NEW YORK TIMES, as well as in PARIS MATCH, ELLE, HELLO, CARIBBEAN WORLD, ISLAND LIFE, MACO DESTINATIONS, NEWS LIMITED NEWSPAPERS (Australia), UK DAILY MAIL, UK SUNDAY MIRROR, DS (France), LA REPUBBLICA (Italy), BUNTE (Germany), VIP TRAVELLER (Krisworld) and many other international publications through SSG Syndicate. Susan also lectures on the "Magic and Mythology of Hollywood" and "Don't Take It Personally: Conquering Criticism and other Survival Skills," originally published on tape by Dove Audio.