FAYA DAYI – Review by Leslie Combemale

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The feature debut of Mexican Ethiopian filmmaker Jessica Bashir, Faya Dayi immerses its audience in a visually rich, hypnotic world that feels as hallucinogenic, languid, and euphoric as a drug trip. Centered in rural Ethiopia, the documentary transcends traditional storytelling as it relays the hopes and challenges of Ethiopians trapped working in the Khat trade. The name of the film means “giving birth to wellness”, and is part of a hymnal chant that farmers in Harar chant while they’re harvesting.

Khat is a plant that contains alkaloid cathionone, a stimulant causing excitement and euphoria. It has been chewed in rituals and in social customs for thousands of years by Sufis seeking to intensify their mystical experience and facilitate a sense of union with God. Now it is chewed by the very populace kept in poverty working as part of the Khat trade that, through global warming and other political and social factors, has taken over as the number one cash crop of the country.

Filmed entirely in black and white, the cinematography of Faya Dayi leverages shadows and light to place variously sharp or diffused focus on the gorgeous natural landscapes and intimate human interactions making up its 120 minutes. Subjects work, they rest, and they share their hopes, dreams, fears, and frustrations to each other in scenes of daily life that feel far more like subjective narratives than objective documentary footage. It is in those moments that viewers will find an unshakable connection to those onscreen, while being lulled into a mix of melancholic and euphoric trance states through the film’s pacing and languid visual language.

The film really has to be experienced all at once, with complete attention, and an open mind, because it doesn’t unfold in any sort of organized or traditional way, but rather unhurriedly unfurls itself in waves. It is not for the impatient or literal-minded, and it’s clear that in her creation, Bashir wants her audience to lose themselves in an emotional and sensory cinematic journey, which means the film is less informational by far than most traditional documentaries. Whether viewers love Faya Dayi or find it ponderous has everything to do with their willingness to abdicate control for the duration, and let this waking dream wash over them. The beauty of doing so is that they’ll not only have had a unique cinematic experience, they’ll have a better and far more visceral understanding of a specific group of people and lives likely very far removed from their own.

4 out of 5 stars.

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Leslie Combemale

Leslie Combemale writes as Cinema Siren on her own website, CinemaSiren.com, and is a frequent contributor to MPA's TheCredits.org, where she interviews filmmakers above and below the line, with a focus on women and diverse voices. She is the Senior Contributor at AWFJ.org. Leslie is in her 9th year as producer and moderator of the influential "Women Rocking Hollywood" panel at San Diego Comic-Con. She is a world-renowned expert on cinema art and her film art gallery, ArtInsights, located near DC, has celebrated cinema art and artists for 30 years.