ETERNALS – Review by Susan Granger

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As the Marvel Cinematic Universe (MCU) expands to include some 26 interconnected movies, more and more superheroes emerge. And this latest entry is directed by Oscar-winner Chloe Zhao (Nomadland) with an emphasis on eclectic diversity and familial inclusion.

In an exposition-filled introduction, the 10 cosmic Eternals emerge from an intergalactic slab in the sky. Created by the Celestial god Arishem, their purpose is to save humanity from predatory Deviants.

Emerging in Mesopotamia in 5000 B.C., they’ve since been embedded among humans for centuries – under the spiritual leadership of Ajak (Salma Hayek), a matriarchal healer.

Much of the backstory revolves around high-flying Ikaris (Richard Madden) and his romantic relationship with matter-manipulating Sersi (Gemma Chan), who is also wooed by a London-based historian Dane Whitman (Kit Harington), who has a “complicated” family history. (In Marvel lore, Dane is the Black Knight, possessor of the Ebony Blade.)

Plus there’s the inventor Phastos (Brian Tyree Henry), firebomb & fame-obsessed Kingo (Kumail Nanjiani), mind-controlling Druig (Barry Keoghan), strongman Gilgamesh (Ma Dong-seok), warrior Thena (Angelina Jolie), deaf-speedster Makkari (Lauren Ridloff), and the androgynous adolescent Sprite (Lia McHugh).

Loosely based on Jack Kirby’s 1976 When Gods Walk the Earth, the dense, non-linear script, filled with too many subplots, is cobbled together by Patrick Burleigh, Ryan & Kaz Firpo and director Chloe Zhao, who collaborates with cinematographer Ben Davis to create a dazzling, if utterly confusing concept which includes Greek mythology and bizarre allusions to J.M. Barrie’s Peter Pan, Wendy and Tinkerbell.

Above all, it’s visually gorgeous, combining the sweeping splendor of exotic locations around the globe with predictable CGI action clashes – kudos to production designers, art directors and set decorators.

FYI: For purists, in the comics Ajak, Makkari and Sprite are males; here, they’re females.

Running 2 hours and 37 minutes, it’s the second-longest MCU film after Avengers: Endgame (2019) -and post-credit scenes forecast future installments.

On the Granger Gauge of 1 to 10, Eternals is an exciting, yet exhausting 6 – only in theaters.

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Susan Granger

Susan Granger is a product of Hollywood. Her natural father, S. Sylvan Simon, was a director and producer at R.K.O., M.G.M. and Columbia Pictures; her adoptive father, Armand Deutsch, produced movies at M.G.M. As a child, Susan appeared in movies with Abbott & Costello, Red Skelton, Lucille Ball, Margaret O'Brien and Lassie. She attended Mills College in California, studying journalism with Pierre Salinger, and graduated from the University of Pennsylvania, Phi Beta Kappa, with highest honors in journalism. During her adult life, Susan has been on radio and television as an anchorwoman and movie/drama critic. Her newspaper reviews have been syndicated around the world, and she has appeared on American Movie Classics cable television. In addition, her celebrity interviews and articles have been published in REDBOOK, PLAYBOY, FAMILY CIRCLE, COSMOPOLITAN, WORKING WOMAN and THE NEW YORK TIMES, as well as in PARIS MATCH, ELLE, HELLO, CARIBBEAN WORLD, ISLAND LIFE, MACO DESTINATIONS, NEWS LIMITED NEWSPAPERS (Australia), UK DAILY MAIL, UK SUNDAY MIRROR, DS (France), LA REPUBBLICA (Italy), BUNTE (Germany), VIP TRAVELLER (Krisworld) and many other international publications through SSG Syndicate. Susan also lectures on the "Magic and Mythology of Hollywood" and "Don't Take It Personally: Conquering Criticism and other Survival Skills," originally published on tape by Dove Audio.