RED NOTICE – Review by Susan Granger

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Billed as a globe-trotting, comedic action/adventure, Red Notice is a total waste of time and talent.

There’s a mystery surrounding three exquisite eggs given to Egypt’s Queen Cleopatra by Roman General Mark Antony on their wedding day. One is in a Rome museum, the second belongs to a private collector, and the whereabouts of the third remains unknown. Now, an Egyptian billionaire wants to present all three bejeweled antiquities to his daughter on her wedding day.

Although FBI behavioral analyst John Hartley (Dwayne Johnson) alerts skeptical Interpol inspector Urvashi Das (Ritu Arya), intrepid art thief Nolan Booth (Ryan Reynolds) steals the first egg from its pedestal at the Museo Nazionale di Castel Sant’Angelo, implicating Hartley as part of an international criminal ring.

Determined to clear his name, amiable Hartley teams up with snarky, sarcastic Nolan, hoping to track down the second and third egg. But the real mastermind, known as The Bishop (Wonder Woman Gal Gadot), incarcerates them, albeit briefly, in an icy Russian gulag and seems to outsmart them at every twist and turn.

Problem is: clumsy screenwriter/director Rawson Marshall Thurber (Skyscraper, Central Intelligence) hasn’t a clue how to delineate characters, write dialogue, and propel the incoherent plot in order to set up this future franchise.

The result is bland, banal and – worst of all – boring, except for a surprise cameo by a British pop star. Instead of originality, Thurber relies on cinematic references to Raiders of the Lost Ark, Gladiator, The Third Man, even Preston Sturges’ 1941 classic Sullivan’s Travels.

FYI: The title refers to Interpol’s designation of its most wanted criminals: a Red Notice is an international arrest warrant. And forget the exotic locations (Rome, Bali, Valencia, Cairo, Argentina, Sardinia, London) flashed on the screen; it’s all CGI since the entire film was shot in Atlanta, Georgia.

Bottom Line: Dwayne Johnson, Ryan Reynolds and Gal Gadot reportedly received $20 million each out of Netflix’s $200 million budget, its biggest yet for a feature film.

On the Granger Gauge of 1 to 10, Red Notice is a tepid, tedious 3 – in theaters and streaming on Netflix.

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Susan Granger

Susan Granger is a product of Hollywood. Her natural father, S. Sylvan Simon, was a director and producer at R.K.O., M.G.M. and Columbia Pictures; her adoptive father, Armand Deutsch, produced movies at M.G.M. As a child, Susan appeared in movies with Abbott & Costello, Red Skelton, Lucille Ball, Margaret O'Brien and Lassie. She attended Mills College in California, studying journalism with Pierre Salinger, and graduated from the University of Pennsylvania, Phi Beta Kappa, with highest honors in journalism. During her adult life, Susan has been on radio and television as an anchorwoman and movie/drama critic. Her newspaper reviews have been syndicated around the world, and she has appeared on American Movie Classics cable television. In addition, her celebrity interviews and articles have been published in REDBOOK, PLAYBOY, FAMILY CIRCLE, COSMOPOLITAN, WORKING WOMAN and THE NEW YORK TIMES, as well as in PARIS MATCH, ELLE, HELLO, CARIBBEAN WORLD, ISLAND LIFE, MACO DESTINATIONS, NEWS LIMITED NEWSPAPERS (Australia), UK DAILY MAIL, UK SUNDAY MIRROR, DS (France), LA REPUBBLICA (Italy), BUNTE (Germany), VIP TRAVELLER (Krisworld) and many other international publications through SSG Syndicate. Susan also lectures on the "Magic and Mythology of Hollywood" and "Don't Take It Personally: Conquering Criticism and other Survival Skills," originally published on tape by Dove Audio.