THE NORTHMAN – Review by Susan Granger

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If you like brawling, bloody brutality, head for The Northman, Robert Eggers’ intense Nordic nightmare. Eggers’ previous films – The Witch (2015) and The Lighthouse (2019) – blurred the boundary between fantasy and reality, so it’s not surprising that this Viking revenge saga follows suit.

Written in collaboration with Icelandic author Sjon (“Lamb,” “Dancer in the Dark”), it begins as 10 year-old Prince Amleth (Oscar Novak) runs to tell his mother, Queen Gudrun (Nicole Kidman) that King Aurvandill (Ethan Hawke) has returned.

That evening, harking back to their feral wolf ancestors, young Amleth, wounded Aurvandill and the wild-eyed holy man Heimir (Willem Dafoe) journey to a cave where they engage in an intoxicating pagan ritual that induces howling and vivid hallucinations.

Later, while walking with Amleth in the forest, Aurvandill is ambushed and assassinated by his brother Fjolnir (Claes Bang). Vowing vengeance, Amleth hides from his uncle, eventually escaping to Iceland.

Years later (914 A.D.), a witch (Bjork) reminds now-adult Amleth (Alexander Skarsgard) of his fate. Then he’s captured and brought as a slave to Fjolnir, now married to duplicitous Gudrun who begat another son. Complicating matters, Amleth has fallen in love with clever captive Olga (Anya Taylor-Joy).

If you’re into Icelandic folklore, you’ll recognize that Amleth is the Viking name for Hamlet, thus heralding this viscerally violent Scandinavian inspiration for Shakespeare’s tale. Historically, Amleth’s story can be traced back in “The History of the Danes.”

The dialogue is banal – apparently, Vikings weren’t very articulate – so Eggers and his DP Jarin Blaschke concentrate on violent, medieval mayhem. To achieve authenticity, production designers worked overtime, replicating ancient carvings and creating costumes of nettle, reindeer leather and the outer coats of Icelandic sheep.

One of the recurring thematic images is the sacred Tree of Kings, based on the giant ash tree Yggdrasil – central to Norse mythology. It’s fashioned from human veins and hung with the dead bodies of warriors.

On the Granger Gauge of 1 to 10, “The Northman” is a savage, supernatural, often silly 6, playing in theaters.

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Susan Granger

Susan Granger is a product of Hollywood. Her natural father, S. Sylvan Simon, was a director and producer at R.K.O., M.G.M. and Columbia Pictures; her adoptive father, Armand Deutsch, produced movies at M.G.M. As a child, Susan appeared in movies with Abbott & Costello, Red Skelton, Lucille Ball, Margaret O'Brien and Lassie. She attended Mills College in California, studying journalism with Pierre Salinger, and graduated from the University of Pennsylvania, Phi Beta Kappa, with highest honors in journalism. During her adult life, Susan has been on radio and television as an anchorwoman and movie/drama critic. Her newspaper reviews have been syndicated around the world, and she has appeared on American Movie Classics cable television. In addition, her celebrity interviews and articles have been published in REDBOOK, PLAYBOY, FAMILY CIRCLE, COSMOPOLITAN, WORKING WOMAN and THE NEW YORK TIMES, as well as in PARIS MATCH, ELLE, HELLO, CARIBBEAN WORLD, ISLAND LIFE, MACO DESTINATIONS, NEWS LIMITED NEWSPAPERS (Australia), UK DAILY MAIL, UK SUNDAY MIRROR, DS (France), LA REPUBBLICA (Italy), BUNTE (Germany), VIP TRAVELLER (Krisworld) and many other international publications through SSG Syndicate. Susan also lectures on the "Magic and Mythology of Hollywood" and "Don't Take It Personally: Conquering Criticism and other Survival Skills," originally published on tape by Dove Audio.