TOP GUN: MAVERICK – Review by Susan Granger

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After welcoming audiences into the theater, Tom Cruise flies high in Top Gun: Maverick as a defiant, daredevil fighter pilot, pushing a plane’s limits – and that’s just the opening sequence.

Still a U.S. Navy Captain, Pete ‘Maverick’ Mitchell is ordered back to the elite training program, Top Gun Academy in San Diego, to prepare a group of rowdy hotshots for a dangerous overseas mission. They’re to destroy a uranium enrichment plant that’s been cleverly hidden in a heavily-fortified valley surrounded by steep mountains.

“It’s not the plane, it’s the pilot,” he tells them. But the assignment is an emotional minefield because one of the young aviators is ‘Rooster’ Bradshaw (Miles Teller), the resentful son of his best buddy ‘Goose’ (Anthony Edwards), and Maverick still feels guilty about his late wingman’s accidental death.

Rooster’s super-competitive teammates include cocky Hangman (Glen Powell), Phoenix (Monica Barbaro), Coyote (Greg Tarzan Davis), Fanboy (Danny Ramirez), Payback (Jay Ellis) and geeky Bob (Lewis Pullman).

Although the rule-breaking rebel’s leadership is opposed by Senior Officer ‘Cyclone’ (Jon Hamm), he’s outranked by ailing Admiral Tom ‘Iceman’ Kazansky (Val Kilmer), who knows Maverick’s legendary unorthodox approach is the only way to get the difficult job done.

Meanwhile, there’s still some unfinished business in the romance department with Penny Benjamin (Jennifer Connelly), a local barkeep whose heart Maverick broke years ago.

Director Joseph Kosinski , cinematographer Claudio Miranda, editor Eddie Hamilton and writers Ehren Kruger, Eric Warren Singer & Christopher McQuarrie remind us of the nostalgic ‘need for speed’ from Tony Scott’s iconic Top Gun (1986).

Credit Tom Cruise’s convincing performance for evoking genuine emotional involvement as Maverick tries to let go of the past. And at his insistence, there are no green screen or CGI aerial shots. Even the close-up cockpit shots are taken during real-in-flight sequences. That meant most of the cast had to undergo extensive training to withstand G-force pressures during filming.

As a result, there’s enough authentic F-18 dogfight-induced adrenaline to keep us on the edge of our seats, along with a propulsive musical score and Lady Gaga warbling “Hold My Hand.”

Full Disclosure: My son, Don Granger, is an executive producer.

On the Granger Gauge of 1 to 10, Top Gun: Maverick blasts in at Mach 10, a kinetic sequel that excels the original and is best seen in IMAX, Dolby or another premium format if that’s available.

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Susan Granger

Susan Granger is a product of Hollywood. Her natural father, S. Sylvan Simon, was a director and producer at R.K.O., M.G.M. and Columbia Pictures; her adoptive father, Armand Deutsch, produced movies at M.G.M. As a child, Susan appeared in movies with Abbott & Costello, Red Skelton, Lucille Ball, Margaret O'Brien and Lassie. She attended Mills College in California, studying journalism with Pierre Salinger, and graduated from the University of Pennsylvania with highest honors in journalism. During her adult life, Susan has been on radio and television as an anchorwoman and movie/drama critic. Her newspaper reviews have been syndicated around the world, and she has appeared on American Movie Classics cable television. In addition, her celebrity interviews and articles have been published in REDBOOK, PLAYBOY, FAMILY CIRCLE, COSMOPOLITAN, WORKING WOMAN and THE NEW YORK TIMES, as well as in PARIS MATCH, ELLE, HELLO, CARIBBEAN WORLD, ISLAND LIFE, MACO DESTINATIONS, NEWS LIMITED NEWSPAPERS (Australia), UK DAILY MAIL, UK SUNDAY MIRROR, DS (France), LA REPUBBLICA (Italy), BUNTE (Germany), VIP TRAVELLER (Krisworld) and many other international publications through SSG Syndicate. Susan also lectures on the "Magic and Mythology of Hollywood" and "Don't Take It Personally: Conquering Criticism and other Survival Skills," originally published on tape by Dove Audio.