This June marks the 50th anniversary of the Watergate break-in and the political scandal that led to President Richard Nixon’s eventual resignation from office on August 8, 1974. It was a turning point in US history, one in which Martha Mitchell played a role, Martha was the whistleblower wife of former US Attorney General John Mitchell, a close Nixon advisor and ally who was jailed for his complicity in the Watergate case. Two films currently in release commemorate the Watergate events and era by taking another look at Martha’s perspective on Watergate, how it happened and its impact on our nation. The Martha Mitchell Effect is a 40-minute documentary crammed with enlightening information, while Gaslit is an eight-episode narrative series that plumbs the intense drama of Martha’s life and her relationship with her husband and his cronies in the Nixon administration. Both films are bound to rekindle the Martha Mitchell controversy. Was she righteous and genuinely concerned for the wellbeing of the nation or did she loudly and disruptively stir things up because she craved public attention? The films’ conclusions are utterly compelling. You’ll want to be there for the revelations in both. Continue reading on CINEMA CITIZEN.
- ← Debra McClutchy and Anne Alvergue on THE MARTHA MITCHELL EFFECT – Nell Minow interviews
- MINIONS: THE RISE OF GRU – Review by T. J. Callahan →
Jennifer Merin is the Film Critic for Womens eNews and contributes the CINEMA CITIZEN blog for and is managing editor for Women on Film, the online magazine of the Alliance of Women Film Journalists, of which she is President. She has served as a regular critic and film-related interviewer for The New York Press and About.com. She has written about entertainment for USA Today, The L.A. Times, US Magazine, Ms. Magazine, Endless Vacation Magazine, Daily News, New York Post, SoHo News and other publications. After receiving her MFA from Tisch School of the Arts (Grad Acting), Jennifer performed at the O'Neill Theater Center's Playwrights Conference, Long Wharf Theater, American Place Theatre and LaMamma, where she worked with renown Japanese director, Shuji Terayama. She subsequently joined Terayama's theater company in Tokyo, where she also acted in films. Her journalism career began when she was asked to write about Terayama for The Drama Review. She became a regular contributor to the Christian Science Monitor after writing an article about Marketta Kimbrell's Theater For The Forgotten, with which she was performing at the time. She was an O'Neill Theater Center National Critics' Institute Fellow, and then became the institute's Coordinator. While teaching at the Universities of Wisconsin and Rhode Island, she wrote "A Directory of Festivals of Theater, Dance and Folklore Around the World," published by the International Theater Institute. Denmark's Odin Teatret's director, Eugenio Barba, wrote his manifesto in the form of a letter to "Dear Jennifer Merin," which has been published around the world, in languages as diverse as Farsi and Romanian. Jennifer's culturally-oriented travel column began in the LA Times in 1984, then moved to The Associated Press, LA Times Syndicate, Tribune Media, Creators Syndicate and (currently) Arcamax Publishing. She's been news writer/editor for ABC Radio Networks, on-air reporter for NBC, CBS Radio and, currently, for Westwood One's America In the Morning. She is a member of the Critics Choice Association in the Film, Documentary and TV branches and a voting member of the Black Reel Awards. For her AWFJ archive, type "Jennifer Merin" in the Search Box (upper right corner of screen).