GIRL IN THE PICTURE – Review by Susan Granger

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Skye Borgman’s documentary Girl in the Picture is the tragic tale of a 20 year-old, blond-haired woman who barely knew her own identity. Her body was found on the side of the road in Oklahoma City, Oklahoma, in April, 1990.

Was it a hit-and-run? Hospital staff noted many ‘older’ bruises on her body, along with scratches on her chest, and immediately suspected her husband Clarence. Known as Tonya Hughes, she was an exotic dancer with a two year-old son, Michael. Problem was: the real Tonya Hughes died 20 years ago.

Called “weird” and “menacing” by her stripper friends, Clarence subsequently lost custody of Michael, who was placed with loving foster parents, who cared for him for four years with Clarence maintaining visitation rights. When paternity tests confirmed that Clarence was not Michael’s biological father, he kidnapped the boy which attracted the attention of the FBI.

FBI agents discovered that Clarence had tried to collect on Tonya’s life insurance policy with a Social Security number belonging to fugitive Franklin Delano Floyd, a sexual predator. Witnesses later identified Tonya as Sharon Marshall, a smart student who’d received a full scholarship to Georgia Tech to study aerospace engineering. Clarence/Floyd was actually her father. Eventually, the story encompasses incest, rape, child abuse, domestic violence and multiple identities.

What baffles me, however, is why we’re so obsessed with true crime.

According to ’experts,’ a fascination with good vs. evil is normal and healthy. We’re understandably curious about what drives people to commit extreme acts, looking for some insight into the twisted psychology of a killer. The media understands: if it bleeds, it leads. Violent predatory crimes are always top news.

“Serial killers tantalize people much like traffic accidents, train wrecks or natural disasters,” wrote criminology professor Scott Bonn in “Why We Love Serial Killers” in Time magazine. “The public’s fascination with them can be seen as a specific manifestation of its more general fixation on violence and calamity. In other words, the actions of a serial killer may be horrible to behold but much of the public simply cannot look away due to the spectacle.”

On the Granger Gauge of 1 to 10, Girl in the Picture is a grisly, gruesome 6, streaming on Netflix.

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Susan Granger

Susan Granger is a product of Hollywood. Her natural father, S. Sylvan Simon, was a director and producer at R.K.O., M.G.M. and Columbia Pictures; her adoptive father, Armand Deutsch, produced movies at M.G.M. As a child, Susan appeared in movies with Abbott & Costello, Red Skelton, Lucille Ball, Margaret O'Brien and Lassie. She attended Mills College in California, studying journalism with Pierre Salinger, and graduated from the University of Pennsylvania, Phi Beta Kappa, with highest honors in journalism. During her adult life, Susan has been on radio and television as an anchorwoman and movie/drama critic. Her newspaper reviews have been syndicated around the world, and she has appeared on American Movie Classics cable television. In addition, her celebrity interviews and articles have been published in REDBOOK, PLAYBOY, FAMILY CIRCLE, COSMOPOLITAN, WORKING WOMAN and THE NEW YORK TIMES, as well as in PARIS MATCH, ELLE, HELLO, CARIBBEAN WORLD, ISLAND LIFE, MACO DESTINATIONS, NEWS LIMITED NEWSPAPERS (Australia), UK DAILY MAIL, UK SUNDAY MIRROR, DS (France), LA REPUBBLICA (Italy), BUNTE (Germany), VIP TRAVELLER (Krisworld) and many other international publications through SSG Syndicate. Susan also lectures on the "Magic and Mythology of Hollywood" and "Don't Take It Personally: Conquering Criticism and other Survival Skills," originally published on tape by Dove Audio.