THE FIRST LADY – Review by Susan Granger

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I had such high hopes for Showtime’s 10-episode series, The First Lady, particularly since, years ago, when Gillian Anderson was playing Agent Dana Scully on The X-Files in a 1997 episode titled Small Potatoes, she said that if she could be another person, it would be Eleanor Roosevelt. In this new series, Anderson plays First Lady Eleanor Roosevelt – brilliantly!

Eleanor was a visionary during the Great Depression and W.W.II, championing human rights, particularly the role of women. But her private life was, obviously, tricky to handle without being exploitive. Married to flagrantly unfaithful Franklin Delano Roosevelt (Kiefer Sutherland) and dominated by a powerful mother-in-law (Ellen Burstyn), Eleanor sought solace with journalist Lorena Hickok (Lily Rabe), who occupied a bedroom adjacent to hers in the White House.

Created by Aaron Cooley with Cathy Schulman as showrunner and stiffly directed by Suzanne Bier, the interlocking narratives, utilizing archival footage, are oddly structured, profiling First Ladies Betty Ford, Michelle Obama and Eleanor Roosevelt – before, during and after their East Wing experience.

A few decades after Eleanor, there was outspoken Betty Ford (Michelle Pfeiffer), a previously divorced Martha Graham dancer/department store model married to amiable Gerald Ford (Aaron Eckhart) whose Presidency was forever tarnished when he pardoned Richard Nixon after Watergate. Melancholy Betty bravely faced numerous health challenges, including breast cancer and drug/alcohol addiction.

Last – and certainly least effective – is Viola Davis’s bizarre impersonation of Michelle Obama, facing the challenge of being America’s first Black First Lady; Davis’s performance is all mimicry and make-up.

To be First Lady of the United States is not a political position but whoever holds the office is incredibly impactful and powerful. Here, because their parts are so blandly written, except for Gillian Anderson’s Eleanor, the actresses seem to be delivering impersonations, rather than characterizations, and there’s certainly no discernable controversy – which makes this historical anthology far too superficial.

On the Granger Gauge of 1 to 10, The First Lady is a scrambled 6, streaming on Amazon Prime.

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Susan Granger

Susan Granger is a product of Hollywood. Her natural father, S. Sylvan Simon, was a director and producer at R.K.O., M.G.M. and Columbia Pictures; her adoptive father, Armand Deutsch, produced movies at M.G.M. As a child, Susan appeared in movies with Abbott & Costello, Red Skelton, Lucille Ball, Margaret O'Brien and Lassie. She attended Mills College in California, studying journalism with Pierre Salinger, and graduated from the University of Pennsylvania, Phi Beta Kappa, with highest honors in journalism. During her adult life, Susan has been on radio and television as an anchorwoman and movie/drama critic. Her newspaper reviews have been syndicated around the world, and she has appeared on American Movie Classics cable television. In addition, her celebrity interviews and articles have been published in REDBOOK, PLAYBOY, FAMILY CIRCLE, COSMOPOLITAN, WORKING WOMAN and THE NEW YORK TIMES, as well as in PARIS MATCH, ELLE, HELLO, CARIBBEAN WORLD, ISLAND LIFE, MACO DESTINATIONS, NEWS LIMITED NEWSPAPERS (Australia), UK DAILY MAIL, UK SUNDAY MIRROR, DS (France), LA REPUBBLICA (Italy), BUNTE (Germany), VIP TRAVELLER (Krisworld) and many other international publications through SSG Syndicate. Susan also lectures on the "Magic and Mythology of Hollywood" and "Don't Take It Personally: Conquering Criticism and other Survival Skills," originally published on tape by Dove Audio.