STARS AT NOON (MIFF 2022) – Review by Alexandra Heller-Nicholas

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Winning legendary filmmaker Claire Denis the Grand Prix award at Cannes this year, Stars at Noon is the exact kind of horny-but-smart fare that at her best the director has become renowned for. Adapted from the 1986 novel of the same name by Denis Johnson, Stars at Noon recalls in parts the lost art of the ‘90s erotic thriller, combined with a healthy dollop of international political intrigue for good measure.

Set in Nicaragua, the film follows Trish (Margaret Qualley in one of her strongest performances yet) who is in the country ostensibly as a journalist but is essentially a grifter who also dabbles in sex work on the side to keep herself afloat. Meeting Daniel (Joe Alwyn) in the bar of the Intercontinental Hotel, a casual sexual encounter rapidly escalates into something more serious as each face the growing reality that their presence in the country is fraught and volatile, with those wishing to see their downfall only increasing in number across the film’s runtime.

With a soundtrack from Denis’ long-term collaborators Tindersticks and cinematography by Eric Gautier, the heat, sweat and desire that make up the world of Denis’s Nicaragua are almost palpable. Qualley in particular packs real punch as Trish, an ambivalent main character but one who keeps us tethered to the film’s story as it stretches across its possibly-too-long run time. Stars at Noon is a seductive, sexy ride, and when we’re in it it’s a pleasant enough journey. Running at well over two hours, however, it does at times overstay its welcome, a result perhaps of a too-loyal commitment to its literary source material. Stars at Noon is a satisfying one night stand of a film; it’s pleasurable enough while it is happening, but the second it’s over it’s almost far too easy to forget.

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Alexandra Heller-Nicholas

Alexandra Heller-Nicholas is a multi-award-winning film critic and author who has published nine books on cult, horror and exploitation cinema with an emphasis on gender politics, including the 2020 book ‘1000 Women in Horror, 1898-2018’ which was included on Esquire Magazine’s list of the best 125 books written about Hollywood. Alexandra is a contributing editor at Film International, a columnist at Fangoria, an Adjunct Professor at Deakin University, and a member of the advisory board of the Miskatonic Institute of Horror Studies (LA, NYC, London).