ONE MAN DIES A MILLION TIMES – Review by Diane Carson

0 Flares 0 Flares ×

One Man Dies a Million Times honors geneticists’ heroism

The title of director Jessica Oreck’s One Man Dies a Million Times announces dire prospects. Yet what follows delivers an encouraging, poetic narrative crediting dedicated scientists’ determination and nobility as they observe threats of “declining food security, climate change, monocultures, factory farming, seed patenting, and disappearing ecosystems.” Opening titles announce an arresting integration of past and future.

“Amidst mass starvation, the scientists at the world’s first seed bank were forced to choose between hope for humankind and their own survival. Though a true story from the past, this film takes place in our near future.” Intermittent voiceover observations present actual recollections of those who lived through the siege of then Leningrad during WWII, with events now occurring amidst a newly raging world war. Botanists Alyssa and Maksim gather plants and store seeds in the Vavilov Institute of Plant Genetic Resources, actually located in what is now St. Petersburg.

Beginning 1 September and stretching into late February, people are literally starving to death, as indeed more than one in four at the time did. As Alyssa says, “In the time of famine, people reveal themselves,” and of course conflicts erupt both between desperate individuals and within their own wasting selves. In the poems and journals written from September 1941 through January 1944, from which the narration comes, men and women describe the effect of starvation on minds and bodies as “life slowly begins to ooze . . . with desire intact and with it the wish to live.”

Through a spectatorial remove, we watch Alyssa and Maksim wander the largely deserted streets, finding victims dying, rats hunting, people pulling corpses on sleds, and a destroyed environment. Slowly, methodically, the food crisis intensifies with cinematographer Sean Price Williams’ evocative black-and-white splashed a couple times with color. Equally impactful is the sound design that interprets the struggle and carnage. Given its technical achievement, One Man Dies a Million Times is only available theatrically. In Russian with English subtitles.

0 Flares Twitter 0 Facebook 0 0 Flares ×

Diane Carson

Diane Carson, Ph.D., Professor Emerita, has reviewed films for over 25 years and has covered the Cannes, Telluride, Toronto, Palm Springs, and Sundance festivals. She writes for KDHX, 88.1 FM. St. Louis’ community radio. One of the founders of the St. Louis International Film Festival, she continues to serve on juries. A past president of the University Film and Video Association, she taught film studies and production at St. Louis Community College and at Webster University. Her new book, written with two colleagues, is “Appetites and Anxieties: Food, Film, and the Politics of Representation,” Wayne State U. Press, 2014.