AWFJ @ Tallgrass Film Fest: 2022 EDA Award Winners – Jennifer Merin reports

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The Alliance of Women film Journalists partnered with Tallgrass Film Festival to present EDA Awards for Best Female Directed Films at the festival’s 20th edition, held in Wichita, Kansas from September 28 to October 2, 2022. This is the second consecutive year of the partnership.

With “Stubbornly Independent” as its motto, Tallgrass Film Festival, one of the nation’s leading regional film festivals, founded in 2003, aims to foster an appreciation of the cinematic arts by creating shared experiences around the international medium of film. Women in film are high priority on the festival’s agenda and the program presents a high percentage of female-directed films.

This year, AWFJ presented EDA Awards in two categories:

  • Best Female-Directed Feature Film (Narrative or Documentary)
  • Best Female-Directed Short Film(Narrative or Documentary)

Two jury panels of AWFJ members selected the winners from films nominated by the festival, including four narrative films and ten short films.

The AWFJ EDA Award winners were announced and awards presented to their worthy winners at the Tallgrass Film Festival’s awards ceremony on Saturday, October 1 at Wichita’s historic Orpheum Cinema.

THE EDA AWARD WINNERS:

BEST FEMALE-DIRECTED FILM: Mama Bears, directed by Daresha Kyi.

    Jury statement: An incredible and insightful documentary that doesn’t condemn faith-based religions like Christianity in relation to the LGBTQ community but instead embraces the duality of living both a life pride as someone who is queer but also has faith-based beliefs. It was heartwarming, informative, and impactful in its message. The film is a beautifully crafted extension of the short doc Trans in America: Texas Strong that first introduced us to the striking young trans girl Kai Shappley. She’s even more compelling in Mama Bears and her own personal battle for trans rights takes on powerful emotional dimensions as we share the stories of other gay children struggling to find acceptance with support from their parents. There are heart wrenching moments and battles won and lost. While Daresha Kyi’s film doesn’t suggest easy solutions it never wavers from a positivity that things may change. And that’s worth a lot.

BEST FEMALE-DIRECTED SHORT: Abound directed by Sarah Moshman

    Jury statement: The essential contributions brilliant women have made to the U.S. space program have been left to languish in the shadows for too long, and the filmmakers, artists and storytellers bringing those stories into the light deserve our appreciation. Kudos to director Sarah Moshman for introducing us to astronaut Anna Fisher, who in the 1980s became the first mother in space. Inspired by Dr. Fisher’s true story, Moshman’s short fiction film depicts the NASA mission specialist as an ambitious scientist who doesn’t hesitate to accept her dream mission, even when it is offered to her 8 1/2 months into her pregnancy – and who steadfastly pursues her dream, even when others try to dissuade her with a hefty dose of mom guilt. Emmy-nominated performer Lauren Lapkus has previously proven she can quickly make an impression with her turns in Orange Is the New Black, The Big Bang Theory, Jurassic World and more, and she’s quietly terrific in this short film that could easily be expanded into a full feature. From being referred to as a “lady astronaut” to being asked if her daughter would forgive her if she died on a space mission, Dr. Anna Fisher has more hurdles to leap over than training in zero gravity. The casual sexism of the 1980s is jolting, but is a glimpse at how far we’ve come.

AWFJ JURORS

AWFJ’s BEST FEMALE-DIRECTED FEATURE jury included

  • Jamie Broadnax
  • Jennifer Merin (Chair)
  • Jeanne Wolf

AWFJ’s BEST FEMALE-DIRECTED SHORT jury included

  • Tara Karajica
  • Brandy McDonnell (Chair)
  • Kristen Page-Kirby
AWFJ jurors: Jamie Broadnax, Jeanne Wolf, Tara Karajica, Jennifer Merin, Brandy McDonnell, Kristen Page-Kirby

The jurors on both panels agreed that this year’s roster of nominated films was exceptional, and very much a credit to Tallgrass Film Festival’s female-forward programmers Melanie Addington, Andre Seward and Hannah Bothner.

In addition to AWFJ’s EDA Awards, the festival presents it’s Female Filmmaker Competition, with a $5,000 cash prize. The 2022 Female Filmmaker Competition winner is Our Father The Devil directed by Ellie Foumbi.

For more information about the 2022 Tallgrass Film Festival award winners, visit the Tallgrass Film Festival Website.

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Jennifer Merin

Jennifer Merin is the Film Critic for Womens eNews and contributes the CINEMA CITIZEN blog for and is managing editor for Women on Film, the online magazine of the Alliance of Women Film Journalists, of which she is President. She has served as a regular critic and film-related interviewer for The New York Press and About.com. She has written about entertainment for USA Today, The L.A. Times, US Magazine, Ms. Magazine, Endless Vacation Magazine, Daily News, New York Post, SoHo News and other publications. After receiving her MFA from Tisch School of the Arts (Grad Acting), Jennifer performed at the O'Neill Theater Center's Playwrights Conference, Long Wharf Theater, American Place Theatre and LaMamma, where she worked with renown Japanese director, Shuji Terayama. She subsequently joined Terayama's theater company in Tokyo, where she also acted in films. Her journalism career began when she was asked to write about Terayama for The Drama Review. She became a regular contributor to the Christian Science Monitor after writing an article about Marketta Kimbrell's Theater For The Forgotten, with which she was performing at the time. She was an O'Neill Theater Center National Critics' Institute Fellow, and then became the institute's Coordinator. While teaching at the Universities of Wisconsin and Rhode Island, she wrote "A Directory of Festivals of Theater, Dance and Folklore Around the World," published by the International Theater Institute. Denmark's Odin Teatret's director, Eugenio Barba, wrote his manifesto in the form of a letter to "Dear Jennifer Merin," which has been published around the world, in languages as diverse as Farsi and Romanian. Jennifer's culturally-oriented travel column began in the LA Times in 1984, then moved to The Associated Press, LA Times Syndicate, Tribune Media, Creators Syndicate and (currently) Arcamax Publishing. She's been news writer/editor for ABC Radio Networks, on-air reporter for NBC, CBS Radio and, currently, for Westwood One's America In the Morning. She is a member of the Critics Choice Association in the Film, Documentary and TV branches and a voting member of the Black Reel Awards. For her AWFJ archive, type "Jennifer Merin" in the Search Box (upper right corner of screen).