HOLY SPIDER – Review by Diane Carson

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Holy Spider depicts with horrifying clarity a serial killer in Iran’s Mashhad

A determined investigative woman reporter, Rahimi, anchors Iranian born director Ali Abbasi’s unnerving Holy Spider, its original title Les Nuits de Mashhad, Nights of Mashhad. It dramatizes horrifying, historic events, the murders of sixteen women in Iran’s holy city of Mashhad. Believing in his religious duty, pious family man Saeed picks up and strangles several prostitutes, the crimes violently depicted.

In the parallel plot, Rahimi (Zar Amir Ebrahimi) refuses to let pervasive misogynistic comments and oppressive sexist treatment dissuade her from pursuit of the man who taunts the press. Rahimi’s unwavering resolve combines courage with frightening, what feels at times like foolhardy, personal risk. Her awareness of the sexist oppression is reinforced by the male protestors chanting their support of Saeed as a hero. The final scenes achieve an emotional crescendo with concluding, haunting images beyond disturbing.

Technically, director/co-writer Abbasi wanted to shoot in Mashhad, home of the largest mosque in the world and one of Shia Muslims’ holiest sites. Iran would not sanction it, so he shot in Jordan with, for the most part, Iranian actors for verisimilitude.

To his credit, as he described in a post-screening Telluride Film Festival Q&A I attended, Abbasi presents his female victims as three-dimensional individuals, not just targeted prey. Some critics have objected to his representation of the journalist, prostitutes, and serial killer. I saw, as Abbasi says he intended, a thorough critique of dehumanization as well as of religious hypocrisy. Again, at Telluride, Ebrahimi explained that many of her own experiences inform her performance, including the illicit sale of a personal video that ended a successful TV career, forcing her move to Paris. As Rahimi, Ebrahimi won this past year’s Cannes Best Actress Award for her focused calm and steeped outrage over multiple levels of personal and professional sexist abuse.

Given current protests and treatment of women in Iran and around the world, thoughtful consideration is merited for the entire spectrum of dysfunctional culture on display here. I observed that important confrontation in Holy Spider, in Persian with English subtitles.

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Diane Carson

Diane Carson, Ph.D., Professor Emerita, has reviewed films for over 25 years and has covered the Cannes, Telluride, Toronto, Palm Springs, and Sundance festivals. She writes for KDHX, 88.1 FM. St. Louis’ community radio. One of the founders of the St. Louis International Film Festival, she continues to serve on juries. A past president of the University Film and Video Association, she taught film studies and production at St. Louis Community College and at Webster University. Her new book, written with two colleagues, is “Appetites and Anxieties: Food, Film, and the Politics of Representation,” Wayne State U. Press, 2014.