THE CROWN Season 5 – Review by Susan Granger

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Unfortunately, the fifth season of The Crown is tarnished, not only because it documents a low-point or ‘annus horribilis’ in Queen Elizabeth’s reign but primarily because of inept casting.

Now described by Netflix as a “fictional dramatization,” it begins in 1991 with John Major as Prime Minister and covers the turbulent era in which the Royal Yacht Britannia was decommissioned and fire struck Windsor Castle.

Three of the Queen’s children divorced, yet the focus is primarily on the thorny issue of how/why unhappy Diana secretly cooperates with writer Andrew Morton and BBC interviewer Martin Bashir.

Angst is amplified by tabloid publication of the smarmy, humiliating telephone recording in which Charles fantasizes about being Camilla’s tampon, culminating as Diana embarks as a single mother.

What’s wrong is casting handsome, charismatic Dominic West as moody, melancholy Prince Charles. Although her impersonation of now-steely Diana is credible, at 6’2” actress Elizabeth Debicki towers over everyone – far more than 5’10” Diana. And by then, curvaceous Diana had coped with bulimia and was not as awkwardly thin and bony.

(FYI: Dominic West’s real-life son Senan plays young Prince William.)

Conversely, Lesley Manville shrewdly captures rightfully resentful Princess Margret, while Jonathan Pryce embodies steadfast Prince Philip who piques the flatly stoic Queen (Imelda Staunton) by flaunting his “friendship” with Penny Knatchbull (Natascha McElhone), Countess Mountbatten of Burma -30 years his junior and wife of his godson – introducing her to the aristocratic sport of carriage racing.

The lukewarm cliffhanger conclusion obviously panders to Charles’ determination to make his mistress Queen Consort. Creator Peter Morgan downplays scheming Camilla Parker-Bowles’ grooming naïve Diana while maintaining their clandestine affair. So Olivia Williams’ sympathetically portrays no-longer-frumpy Camilla, whose obviously successful strategy was playing the long game.

What’s most revealing is how Egyptian multimillionaire Mohamad Al Fayed (Salim Daw) hired King Edward VIII’s Bahamian valet, dignified Sidney Johnson (Jude Akuuwudike), to teach him British customs/manners, enabling Al Fayed to introduce Diana to his movie producer son Dodi.

Obviously, season six will deal with Diana’s death and its aftermath.

On the Granger Gauge of 1 to 10, “The Crown: Season 5” is an uneven, underwhelming 6 with all 10 episodes streaming on Netflix.

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Susan Granger

Susan Granger is a product of Hollywood. Her natural father, S. Sylvan Simon, was a director and producer at R.K.O., M.G.M. and Columbia Pictures; her adoptive father, Armand Deutsch, produced movies at M.G.M. As a child, Susan appeared in movies with Abbott & Costello, Red Skelton, Lucille Ball, Margaret O'Brien and Lassie. She attended Mills College in California, studying journalism with Pierre Salinger, and graduated from the University of Pennsylvania with highest honors in journalism. During her adult life, Susan has been on radio and television as an anchorwoman and movie/drama critic. Her newspaper reviews have been syndicated around the world, and she has appeared on American Movie Classics cable television. In addition, her celebrity interviews and articles have been published in REDBOOK, PLAYBOY, FAMILY CIRCLE, COSMOPOLITAN, WORKING WOMAN and THE NEW YORK TIMES, as well as in PARIS MATCH, ELLE, HELLO, CARIBBEAN WORLD, ISLAND LIFE, MACO DESTINATIONS, NEWS LIMITED NEWSPAPERS (Australia), UK DAILY MAIL, UK SUNDAY MIRROR, DS (France), LA REPUBBLICA (Italy), BUNTE (Germany), VIP TRAVELLER (Krisworld) and many other international publications through SSG Syndicate. Susan also lectures on the "Magic and Mythology of Hollywood" and "Don't Take It Personally: Conquering Criticism and other Survival Skills," originally published on tape by Dove Audio.