1899 – Review by Susan Granger

0 Flares 0 Flares ×

When a trusted friend recommended the supernatural Netflix sci-fi series 1899, he urged me to see it quick – because – despite audience enthusiasm and positive reviews – it’s been cancelled. So I did – joining legions of bewildered viewers, wondering why there won’t be a second season.

1899 begins as Maura Franklin (Emily Beecham) sets sail on the Kerberos, a luxury liner bound from Southampton to New York. Her fellow First Class passengers are in the dining-salon when a Third-Class passenger, Krester (Lucas Lynggaard Tenneser), bursts in, pleading for a doctor.

Trained in medicine but not allowed to practice in England, Maura responds, following him below to help Tove (Clara Rosager), a pregnant Danish woman, emigrating with her deeply religious family.

Soon after, world-weary Captain Eyk Larsen (Andreas Pietschmann) receives strange coordinates via the telegraph machine. Could they be from the Prometheus, a sister ship that recently disappeared?

Curious, Eyk orders his crew to alter course to find the Prometheus, much to the chagrin of passengers eager to begin a new life in America – like Angel (Miguel Bernardeau), a wealthy Spaniard, travelling with Ramiro (Jose Pimentao), a faux Portuguese priest, and Hong Kong’s Ling Yi (Isabella Wei), accompanied by her strict mother Yuk Je (Gabby Wong).

Parisian Lucien (Jonas Bioquet) and his wife Clemence (Matilde Olivier) are honeymooners, while Mrs. Wilson (Rosalie Craig) is an outspoken Brit. Plus there’s the French stowaway Jerome (Yann Gael) and Polish stoker, Olek (Maciej Musial), shoveling coal into the steam engines.

Once spotted, the Prometheus appears to be deserted. But it isn’t. There’s a mysterious, trench coat-clad man, Daniel Solace (Aneurin Barnard), and a secretive mute boy (Fffyn Edwards) locked in a cabinet.

FYI: The Kerberos (Cerberus in English) is named for the three-headed dog guarding Hades. The ghost ship Prometheus takes its name from the Greek Titan who stole fire from Olympus and gave it to Man. Each of the eight episodes ends with a classic rock song relating to the plot and/or foreshadowing the next installment.

Created by Jantje Friese and Baran bo Odar (“Dark”), its ‘distorted reality’ theme, epitomized by pyramids and triangles, draws from Europe’s migrant crisis, coupled with the inexplicable disappearance of ships into North Atlantic’s Bermuda Triangle.

So why did Netflix not renew this spooky, genre-juggling maritime mystery for another season? Was it a tax-write off? Forbes concluded: “Netflix is becoming a graveyard stacked with dead series and unfinished conclusions.”

On the Granger Gauge of 1 to 10, 1899 is an enigmatic 8, streaming on Netflix.

0 Flares Twitter 0 Facebook 0 0 Flares ×

Susan Granger

Susan Granger is a product of Hollywood. Her natural father, S. Sylvan Simon, was a director and producer at R.K.O., M.G.M. and Columbia Pictures; her adoptive father, Armand Deutsch, produced movies at M.G.M. As a child, Susan appeared in movies with Abbott & Costello, Red Skelton, Lucille Ball, Margaret O'Brien and Lassie. She attended Mills College in California, studying journalism with Pierre Salinger, and graduated from the University of Pennsylvania, Phi Beta Kappa, with highest honors in journalism. During her adult life, Susan has been on radio and television as an anchorwoman and movie/drama critic. Her newspaper reviews have been syndicated around the world, and she has appeared on American Movie Classics cable television. In addition, her celebrity interviews and articles have been published in REDBOOK, PLAYBOY, FAMILY CIRCLE, COSMOPOLITAN, WORKING WOMAN and THE NEW YORK TIMES, as well as in PARIS MATCH, ELLE, HELLO, CARIBBEAN WORLD, ISLAND LIFE, MACO DESTINATIONS, NEWS LIMITED NEWSPAPERS (Australia), UK DAILY MAIL, UK SUNDAY MIRROR, DS (France), LA REPUBBLICA (Italy), BUNTE (Germany), VIP TRAVELLER (Krisworld) and many other international publications through SSG Syndicate. Susan also lectures on the "Magic and Mythology of Hollywood" and "Don't Take It Personally: Conquering Criticism and other Survival Skills," originally published on tape by Dove Audio.