TO LESLIE – Review by Diane Carson

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To Leslie details an alcoholic woman’s failures and struggles.

The title woman in director Michael Morris’ To Leslie has one defining characteristic. Leslie is an alcoholic with all the baggage destructive to any healthy relationship; that is, Leslie will beg, borrow, or steal money to support her illness and the dysfunctional behavior resulting from it. Inspired by actual events, the story begins more upbeat, with Leslie winning a $190,000 lottery.

However, the plot next finds Leslie, a compulsive drinker or user of whatever is on offer, having squandered her windfall, being evicted from a shabby motel. Unaffected by any dignity, desperate, she heads to her nineteen-year-old son’s apartment. Alienated from Leslie for years, James takes pity on a pathetically cooing Leslie, professing love for her baby who is not persuaded by the act. True to her deceitful ways, in short order Leslie will be back in her West Texas hometown where her reputation and unhinged behavior still lingers in locals’ minds. Embarrassing, confrontational, and some sweet events follow, no more of them revealed here.

Honesty about the toll alcoholics take on all in contact with them distinguishes To Leslie for the first two-thirds of the film. The last third, especially the Ten Months Later jump, proves less satisfying for its predictability and the apparently irresistible urge to rescue Leslie. Given the statistics on alcoholism and drug abuse, everyone knows someone in that group and has experienced to varying degrees the impact of their narcissistic decisions. It is to the film’s credit that it faces that reality head on for the first two acts.

What also makes To Leslie unforgettable is Andrea Riseborough’s unapologetic and astonishing embrace of the ugliness of Leslie, both physically and emotionally. Writer Ryan Binaco delivers truth, as director Morris trains his sights, painfully, on this woman. Casting is superb, with Allison Janney, Stephen Root, Andre Royo, and, exceptional in his role, Marc Maron as Sweeney.

Though To Leslie has not enjoyed wide distribution, nevertheless, for her stunning performance Andrea Riseborough has been nominated for a Best Actress Academy Award. There has been controversy regarding this, however deserved the recognition is, because several famous actors lobbied on behalf of Riseborough, perhaps violating Academy rules. The nomination stands, so it will be interesting to see what happens Oscar night, March 12. For To Leslie, check listings for streaming options.

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Diane Carson

Diane Carson, Ph.D., Professor Emerita, has reviewed films for over 35 years and has covered the Cannes, Telluride, Toronto, Palm Springs, True/False, New York, and Sundance festivals. She writes for the St. Louis Arts Scene in addition to AWFJ. Two of her articles on Buster Keaton were published in this past year’s Journal of Film and Video. A past president of the University Film and Video Association, she taught film studies and production at St. Louis Community College and at Webster University. One of the founders of the St. Louis International Film Festival, she continues to serve on juries, to present at cinema conferences, and to review film essays for academic journals.