Oscar-Nominated Documentary Shorts – MiniViews by Diane Carson

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Oscar Nominated Documentary Short Films present compelling statements.

Five Oscar nominated documentary short films communicate important ideas. Two take animal welfare as their topic through very different styles but with equally powerful, engrossing works. First, Haulout settles into a hut in the Siberian Arctic with Russian marine biologist Maxim Chakilev. For a decade, Maxim has studied the largest walrus haulouts, a term for large congregations of walruses.

October 2020, at Cape Heart Stone about 95,000 walruses crowd the beach, the surrounding Chukchi Sea now without any of the ice that walruses need for rest during migration and feeding. Relying almost entirely on natural sounds, Haulout shows these massive animals jam-packed, at risk of stampedes and trampling. Due to global warming, Maxim recorded six hundred deaths, the most ever.

A more heartening story but with some sorrow, The Elephant Whisperers watches as elephant caregivers Bellie and Bomman become the first couple to successfully raise two orphaned elephants, Raghu and Ammu. Set in the Theppakadu Elephant Camp in South India, the largest wild space for Asian elephants, the love these caregivers show and the bonds they create with Raghu and Ammu are astonishing and magnificent.

Explicitly political, The Martha Mitchell Effect surveys Mitchell’s outspoken, astute observations and insights, often discounted with Martha verbally berated by many in the President Nixon, U.S. Attorney General John Mitchell years. Now, as Harvard psychologist Brendan Maher notes, the “Martha Mitchell effect” designates a person’s beliefs initially labeled as delusional, later proved accurate.

The Stranger at the Gate chronicles a more contemporary, misguided political scheme as Iran and Afghanistan veteran Marine Mac McKinney plots to bomb a local Indiana mosque. Becoming familiar with Afghan refugees leads to reconsideration, with multiple perspectives revealed in this documentary.

More familiar changes occur in How Do You Measure a Year. With the clever idea to ask his daughter the same questions every year on her birthday from one to eighteen, Jay Rosenblatt films Ella on their couch. Answers to questions about what she wants to be, what power is, their relationship, dreams, nightmares, and more reveal a wealth of psychological and emotional insights, plus their abiding love. The five very different but equally deserving Oscar nominated documentary short films have subtitles as needed.

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Diane Carson

Diane Carson, Ph.D., Professor Emerita, has reviewed films for over 35 years and has covered the Cannes, Telluride, Toronto, Palm Springs, True/False, New York, and Sundance festivals. She writes for the St. Louis Arts Scene in addition to AWFJ. Two of her articles on Buster Keaton were published in this past year’s Journal of Film and Video. A past president of the University Film and Video Association, she taught film studies and production at St. Louis Community College and at Webster University. One of the founders of the St. Louis International Film Festival, she continues to serve on juries, to present at cinema conferences, and to review film essays for academic journals.