PACIFICTION – Review by Diane Carson

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Pacifiction scrutinizes the French Polynesian High Commissioner

Most associations for the French Polynesian island of Tahiti derive from early films such as Mutiny on the Bounty (1962) or enticing, idyllic tourist ads. Catalan director Albert Serra takes an intriguing unique approach in his compelling drama, Pacifiction. For two and three quarter hours, the present-day story follows De Roller, the High Commissioner of the Republic and French government’s overseas territory.

Scrutinizing De Roller’s interactions with Indigenous locals, wealthy power brokers, a Jehovah Witnesses minister, exploitive outsiders, and more, the multifaceted nature of this isolated community comes to vivid life. Most alarming, after a submarine is spotted, rumors circulate that French nuclear testing will recommence. The stunning contrast between the repulsive, despotic corruption versus the sublime beauty informs events, revealing enduring colonial impact, sexual exploitation, and prejudice.

Difficult questions are asked, controversial practices contested. For example, a proposed casino investor threatens to bar local citizens. A native grandfather asks the Commissioner what he should tell his grandchildren who ask, “What did you do to defend my land and my ocean?” One spectacular scene involves ski jets towing surfers out to ride monster waves. De Roller observes, “They call this place Paradise, but they’re idiots. It’s a party with the devil.” And The title itself—Pacifiction—combines Pacific and fiction, expressing that duality.

In press notes, director Serra explains that his inspiration for this screenplay was Tarita Téripaia’s memoirs, Marlon Brando’s wife for ten years. As De Roller, Benoît Magimel delivers a sublime performance of conflicting emotions: empathetic, intelligent, discouraged, and wary, on both the inside and outside of what Serra calls hazy incidents. As De Roller’s assistant, the transexual Shannah, Pahoa Mahagafanau presents an enigmatic observer in this beguiling film. Pacifiction is in English and French with English subtitles.

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Diane Carson

Diane Carson, Ph.D., Professor Emerita, has reviewed films for over 35 years and has covered the Cannes, Telluride, Toronto, Palm Springs, True/False, New York, and Sundance festivals. She writes for the St. Louis Arts Scene in addition to AWFJ. Two of her articles on Buster Keaton were published in this past year’s Journal of Film and Video. A past president of the University Film and Video Association, she taught film studies and production at St. Louis Community College and at Webster University. One of the founders of the St. Louis International Film Festival, she continues to serve on juries, to present at cinema conferences, and to review film essays for academic journals.