HILMA – Review by Jennifer Merin

0 Flares 0 Flares ×

Hilma is a sumptuous truth-based period drama that chronicles the life and work of Swedish artist Hilma aft Klint (1862 – 1944). Hilma was a brilliant and innovative artist whose abstract paintings preceded those of the better-known Russian painter Wassily Kandinsky (1866 – 1944), who has, until recently, been credited by art historians with the invention of abstract art.

Written and directed by Lasse Hallstrom, Hilma is decidedly feminist in telling the story of an extraordinarily talented and persistent woman whose genius was denied — because she was a woman. In fact, the ongoing denial of her work was so emotionally damaging that she decided to withdraw her art from public display. At one point she ordered that all of her work be destroyed. Fortunately, she rescinded that order, so the paintings survived. But they were hidden away for decades until they were brought into public view for the first time at an exhibit of af Klint’s work in Los Angeles in 1986. Continue reading on CINEMA CITIZEN

0 Flares Twitter 0 Facebook 0 0 Flares ×

Jennifer Merin

Jennifer Merin is the Film Critic for Womens eNews and contributes the CINEMA CITIZEN blog for and is managing editor for Women on Film, the online magazine of the Alliance of Women Film Journalists, of which she is President. She has served as a regular critic and film-related interviewer for The New York Press and About.com. She has written about entertainment for USA Today, The L.A. Times, US Magazine, Ms. Magazine, Endless Vacation Magazine, Daily News, New York Post, SoHo News and other publications. After receiving her MFA from Tisch School of the Arts (Grad Acting), Jennifer performed at the O'Neill Theater Center's Playwrights Conference, Long Wharf Theater, American Place Theatre and LaMamma, where she worked with renown Japanese director, Shuji Terayama. She subsequently joined Terayama's theater company in Tokyo, where she also acted in films. Her journalism career began when she was asked to write about Terayama for The Drama Review. She became a regular contributor to the Christian Science Monitor after writing an article about Marketta Kimbrell's Theater For The Forgotten, with which she was performing at the time. She was an O'Neill Theater Center National Critics' Institute Fellow, and then became the institute's Coordinator. While teaching at the Universities of Wisconsin and Rhode Island, she wrote "A Directory of Festivals of Theater, Dance and Folklore Around the World," published by the International Theater Institute. Denmark's Odin Teatret's director, Eugenio Barba, wrote his manifesto in the form of a letter to "Dear Jennifer Merin," which has been published around the world, in languages as diverse as Farsi and Romanian. Jennifer's culturally-oriented travel column began in the LA Times in 1984, then moved to The Associated Press, LA Times Syndicate, Tribune Media, Creators Syndicate and (currently) Arcamax Publishing. She's been news writer/editor for ABC Radio Networks, on-air reporter for NBC, CBS Radio and, currently, for Westwood One's America In the Morning. She is a member of the Critics Choice Association in the Film, Documentary and TV branches and a voting member of the Black Reel Awards. For her AWFJ archive, type "Jennifer Merin" in the Search Box (upper right corner of screen).