MIRANDA’S VICTIM – Review by Liz Whittemore
Director Michelle Danner brings audiences the story of the emotionally wrought 1963 court case that led to the institution of Miranda Rights. Told through the eyes of the brave young woman Trish Weir (Abigail Breslin), Miranda’s Victim is a harrowing story of the flawed justice system and a reclamation of power.
The screenplay by J. Craig Stiles pulls no punches. The cold, uncaring, and grossly misogynistic nature of the doctor’s examination was a visceral experience as a survivor. But that’s only the beginning of the atrocious patriarchal behavior from everyone but Trish’s protective sister, Ann. Her mother is vehemently unsupportive, but there is underlying trauma there. It is all vile, exhausting, and entirely true to life.
The expansive cast is outstanding. Emily Van Camp’s loving portrayal of Ann provides the much-needed counter to almost everyone else in Trish’s life. Mireille Enos plays Trish’s mother, mired in guilt and misguided intentions. It is trying to witness but speaks to the film’s validity. Sebastian Quinn is charming, making his performance all the more unsettling. Ryan Phillipe is Miranda’s ACLU attorney, John Flynn, a man whose need to win supersedes his decency. Phillipe does a fantastic job at being smug. Enrique Murciano plays Detective Cooley with a zealous nature. You cannot take your eyes off of him. Luke Wilson is Trish’s lawyer, Lawrence Turoff. His passion for justice comes with a combination of genuine care and concern. Abigail Breslin plays Trish with authentic innocence, fear, and bravery. Her physical performance is pivotal to your connection with her, and Breslin plays it masterfully.
Holly Amber Church’s score is haunting and epic, suiting the era perfectly. Miranda’s Victim uses clever editing in he said, she said terms and flashbacks. It presents a grey morality that may challenge the viewer to endure personal trauma while living a history lesson. The progression of this story is nothing short of fascinating and irrevocably important. It speaks to the bravery of women and those who believe them. Miranda’s Victim is a must-see.
