THE WONDERFUL WORLD OF HENRY SUGAR – Review by Susan Granger

0 Flares 0 Flares ×

In the past few weeks, Netflix has quietly launched Wes Anderson’s The Wonderful World of Henry Sugar and three additional Roald Dahl short stories.

Each is a fanciful fable drawn from the extensive ‘idea’ files that eccentric, cardigan-clad, curmudgeonly storyteller Dahl (Ralph Fiennes) kept in Gipsy House, his isolated ‘writing hut’ adjacent to his home in Buckinghamshire, England – where he wrote Charlie and the Chocolate Factory and Matilda.

Set in the 1930s, The Wonderful World of Henry Sugar introduces a self-absorbed, scheming gambler (Benedict Cumberbatch) who learns a method of meditation that gives him X-ray vision to see through playing cards, launching him on a casino-hopping career that causes him to question his very existence. It’s 40 minutes long.

Next there’s The Swan recalling a macabre bullying incident that becomes lethal; then The Rat Catcher about a bizarrely feral exterminator; and finally Poison, set in India, where an inscrutable British officer believes that a highly poisonous krait snake is sleeping on his stomach – each running 17 minutes.

This whimsical cinematic anthology is the creation of Wes Anderson, who became intrigued by the emotional truths in Raoul Dahl’s work after adapting his novel into the Oscar-nominated, stop-motion animated Fantastic Mr. Fox (2009).

Stumped on how to translate Dahl’s jottings to the screen, Anderson decided to have the four principal actors (Cumberbatch, Ben Kingsley, Dev Patel, Richard Ayoade), playing various characters, narrate the author’s adroit descriptions and their actions directly into the camera at a rapid pace with deadpan directness.

Anderson’s inventive, precisely calibrated contrivance works, along with analog & antiquarian visual touches supplied by fastidious production designer Adam Stockhausen, mischievous cinematographer Robert Yeoman and precise composer Alexander Desplat.

On the Granger Gauge of 1 to 10, “The Wonderful World of Henry Sugar” and other tales score an enchanting, enigmatic 8, streaming – one after another – on Netflix.

0 Flares Twitter 0 Facebook 0 0 Flares ×

Susan Granger

Susan Granger is a product of Hollywood. Her natural father, S. Sylvan Simon, was a director and producer at R.K.O., M.G.M. and Columbia Pictures; her adoptive father, Armand Deutsch, produced movies at M.G.M. As a child, Susan appeared in movies with Abbott & Costello, Red Skelton, Lucille Ball, Margaret O'Brien and Lassie. She attended Mills College in California, studying journalism with Pierre Salinger, and graduated from the University of Pennsylvania with highest honors in journalism. During her adult life, Susan has been on radio and television as an anchorwoman and movie/drama critic. Her newspaper reviews have been syndicated around the world, and she has appeared on American Movie Classics cable television. In addition, her celebrity interviews and articles have been published in REDBOOK, PLAYBOY, FAMILY CIRCLE, COSMOPOLITAN, WORKING WOMAN and THE NEW YORK TIMES, as well as in PARIS MATCH, ELLE, HELLO, CARIBBEAN WORLD, ISLAND LIFE, MACO DESTINATIONS, NEWS LIMITED NEWSPAPERS (Australia), UK DAILY MAIL, UK SUNDAY MIRROR, DS (France), LA REPUBBLICA (Italy), BUNTE (Germany), VIP TRAVELLER (Krisworld) and many other international publications through SSG Syndicate. Susan also lectures on the "Magic and Mythology of Hollywood" and "Don't Take It Personally: Conquering Criticism and other Survival Skills," originally published on tape by Dove Audio.