I.S.S. – Review by Susan Granger

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Although it was released earlier this year, I.S.S seems remarkably timely now that two American astronauts – Sunita Williams and Barry ‘Butch’ Wilmore, who took off for the International Space Station for an eight-day trip – may be stuck there until 2025 as the war between U.S.-backed Ukraine and Russia rages on.

Director Gabriela Cowperthwaite’s taut thriller envisions a halcyon time marked by American and Russia collaboration – when three astronauts and three cosmonauts are routinely performing various scientific tasks in their orbiting laboratory.

The mood is jovial as the newest NASA arrival, Dr. Kira Foster (Ariana DeBose), learns from Christian (John Gallagher Jr.), her veteran colleague, that – in these close-quarters – everything is shared – yet no one talks politics – ever!

She’s the relatable newcomer trying to decipher the dynamics of her weightless workplace – 250 miles above Earth.

Then U.S. Commander Gordon Barrett (Chris Messina) gets an urgent message from Houston cryptically instructing him to abort all experiments and take control of the space station “by any means necessary.”

At the same time, his Russian counterpart, Commander Nicolai Pulov (Costa Ronin), receives the same instructions from the Kremlin which he quickly imparts to his conflicted cohorts: Alexey (Pilou Asback) and Weronika (Masha Mashkova).

Evidenced by the increasingly worrisome red/orange flashes they view from the cupola, “down below” the United States and Russia are engaged in a nuclear war!

After her Oscar-win as Anita in Steven Spielberg’s “West Side Story,” Ariana DeBose anchors the plot as communication gets garbled and emotional engagement goes from bad to worse in their cramped quarters.

Credit Gabriela Cowperthwaite and production designer Geoff Wallace for injecting tension into this miniature microcosm, a feat comparable to the way various directors depicted confined W.W.II submarine insurrections.

FYI: Nick Shafir’s low-budget sci-fi script landed on the 2020 Black List of excellent yet-to-be-produced films several years before the war in Ukraine began.

On the Granger Gauge of 1 to 10, I.S.S is a remarkably relevant, suspenseful 6, streaming on Apple and Amazon Prime.

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Susan Granger

Susan Granger is a product of Hollywood. Her natural father, S. Sylvan Simon, was a director and producer at R.K.O., M.G.M. and Columbia Pictures; her adoptive father, Armand Deutsch, produced movies at M.G.M. As a child, Susan appeared in movies with Abbott & Costello, Red Skelton, Lucille Ball, Margaret O'Brien and Lassie. She attended Mills College in California, studying journalism with Pierre Salinger, and graduated from the University of Pennsylvania with highest honors in journalism. During her adult life, Susan has been on radio and television as an anchorwoman and movie/drama critic. Her newspaper reviews have been syndicated around the world, and she has appeared on American Movie Classics cable television. In addition, her celebrity interviews and articles have been published in REDBOOK, PLAYBOY, FAMILY CIRCLE, COSMOPOLITAN, WORKING WOMAN and THE NEW YORK TIMES, as well as in PARIS MATCH, ELLE, HELLO, CARIBBEAN WORLD, ISLAND LIFE, MACO DESTINATIONS, NEWS LIMITED NEWSPAPERS (Australia), UK DAILY MAIL, UK SUNDAY MIRROR, DS (France), LA REPUBBLICA (Italy), BUNTE (Germany), VIP TRAVELLER (Krisworld) and many other international publications through SSG Syndicate. Susan also lectures on the "Magic and Mythology of Hollywood" and "Don't Take It Personally: Conquering Criticism and other Survival Skills," originally published on tape by Dove Audio.