BEING MARIA – Review by Jennifer Merin
Being Maria is a revealing truth-based biopic about the life and career of actress Maria Schneider, whose star ascended when she was just 19, after her daring performance opposite Marlon Brando in Bernardo Bertolucci’s highly controversial film, Last Tango in Paris (1972). Director Jessica Palud’s compelling telling of the story shows how Schneider’s risqué role and the fame that came with it impacted young Maria’s future relationships and repertoire. This picture is not one of kudos and glam.
Anamaria Vartolomei’s performance as Maria Schneider, playing opposite Matt Dillon’s Marlon Brando, is indeed impressive. She clearly reflects the young woman’s vulnerability and desire to achieve, and the era’s artsy ethos, while he captures every nuance of Marlon’s disengaged mood. Scenes from the original Bertolucci film are recreated with the same shock impact, but in Being Maria, they are wrapped within the context of how acting in them effected young and trusting Maria. The perspective in the film is hers.
Palud and Laurette Polmanns adapted the script from the novel My Cousin Maria Schneider: A Memoir (Tu t’appelais Maria Schneider) by Vanessa Schneider, who was, indeed, Maria’s cousin. The ambience established by the scenario, direction, set decor and other well executed cinematic crafts has an authenticity that is galvanizing.
In addition to quenching what seems to be an ongoing thirst for showbiz celebrity biopics, Being Maria also serves as a fascinating commentary — a behind-the-scenes primer, if you will — about the French cineastes whose work we so admire. While revealing Maria’s emotionally affecting story, Being Maria also lays bare the exploitation, abuse and disrespect of favorite female actors in the French film industry at a time when #MeToo wasn’t even a ripple let alone a wave.
