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DON’T LET’S GO TO THE DOGS TONIGHT – Review by Jennifer Merin

Jennifer Merin , , , , , , ,
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Don’t Let’s Go to the Dog’s Tonight is a very compelling first feature from actor-turned-director Embeth Davidtz. Based on the personal memoire of Alexandra Fuller, the story is set in Rhodesia (now Zimbabwe) during the final stages of the Bush War. The tale is told from the perspective of Bobo, the eight-year-old daughter of White farmers who must leave the beloved land that their colonizing forebears have occupied for generations. Mom is a police officer and Dad is a soldier. They both wield guns and won’t hesitate to use them against feared terrorists. They’ve decided to abandon the farm because they feel unsafe. Bobo doesn’t understand the country’s complex political situation and she’s curious about the constant flow of reports about violent outbreaks throughout the land. She has questions about her identity as an African. Her parents deflect the questions she asks rather than answer them. She’s know she’s leaving the home she loves, will no longer have the routine of caring for the animals and, most significantly, will no longer have the company of Sarah and Jacob, the Black farm workers who do answer her questions as best they can, and whom she loves as dearly as — or perhaps more dearly than — she loves her parents. Continue reading on CINEMA CITIZEN

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Jennifer Merin

Jennifer Merin is the Film Critic for Womens eNews and contributes the CINEMA CITIZEN blog for and is managing editor for AWFJ.org, the online magazine of the Alliance of Women Film Journalists, of which she is President. She has served as a regular critic and film-related interviewer for The New York Press and About.com. She has written about entertainment for USA Today, The L.A. Times, US Magazine, Ms. Magazine, Endless Vacation Magazine, NY Daily News, New York Post, SoHo News and other publications. After receiving her MFA from Tisch School of the Arts (Grad Acting), Jennifer performed at the O'Neill Theater Center's Playwrights Conference, Long Wharf Theater, American Place Theatre and LaMamma, where she worked with renown Japanese director, Shuji Terayama. She subsequently joined Terayama's theater company in Tokyo, where she also acted in films. Her journalism career began when she was asked to write about Terayama for The Drama Review. She became a regular contributor to the Christian Science Monitor after writing an article about Marketta Kimbrell's Theater For The Forgotten, with which she was performing at the time. She was an O'Neill Theater Center National Critics' Institute Fellow, and then became the institute's Coordinator. While teaching at the Universities of Wisconsin and Rhode Island, she wrote "A Directory of Festivals of Theater, Dance and Folklore Around the World," published by the International Theater Institute. Denmark's Odin Teatret's director, Eugenio Barba, wrote his manifesto in the form of a letter to "Dear Jennifer Merin," which has been published around the world, in languages as diverse as Farsi and Romanian. Jennifer's culturally-oriented travel column began in the LA Times in 1984, then moved to The Associated Press, LA Times Syndicate, Tribune Media, Creators Syndicate and Arcamax Publishing. She's been news writer/editor for ABC Radio Networks, on-air reporter for NBC, CBS Radio and for Westwood One's America In the Morning. She is a member of the Critics Choice Association in the Film, Documentary and TV branches and a voting member of the Black Reel Awards. For her AWFJ archive, type "Jennifer Merin" in the Search Box (upper right corner of screen).