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PINA (2011) – Retroview by Jennifer Merin

Jennifer Merin , , , , , , ,
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In subtitling this documentary A Film For Pina, filmmaker Wim Wenders clearly announces his intention to deliver a cinematic tribute to the brilliant German dancer and choreographer, Pina Bausch, who is its leading subject and character. Wenders and Bausch were in pre-production for the film in 2009 when Bausch died of cancer, just five days after she’d been diagnosed with the disease. Wenders continued to work on the production of the film, and eventually shot it using members of the Tanztheater Wuppertal Pina Bausch, the dance company that Bausch helmed since 1974.

Bausch only appears in the film in archival footage, but the essence of her spirit — her extreme creativity and unique approach to choreography and movement — are captured represented in Wenders’ exquisitely filmed recordings of four of her best known and most highly acclaimed dances, each performed in its entirety by the members of Tanztheater Wuppertal Pina Bausch. Wenders shot the dances in 3D, and the effect is gorgeous. Continue reading on CINEMA CITIZEN.

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Jennifer Merin

Jennifer Merin is the Film Critic for Womens eNews and contributes the CINEMA CITIZEN blog for and is managing editor for AWFJ.org, the online magazine of the Alliance of Women Film Journalists, of which she is President. She has served as a regular critic and film-related interviewer for The New York Press and About.com. She has written about entertainment for USA Today, The L.A. Times, US Magazine, Ms. Magazine, Endless Vacation Magazine, NY Daily News, New York Post, SoHo News and other publications. After receiving her MFA from Tisch School of the Arts (Grad Acting), Jennifer performed at the O'Neill Theater Center's Playwrights Conference, Long Wharf Theater, American Place Theatre and LaMamma, where she worked with renown Japanese director, Shuji Terayama. She subsequently joined Terayama's theater company in Tokyo, where she also acted in films. Her journalism career began when she was asked to write about Terayama for The Drama Review. She became a regular contributor to the Christian Science Monitor after writing an article about Marketta Kimbrell's Theater For The Forgotten, with which she was performing at the time. She was an O'Neill Theater Center National Critics' Institute Fellow, and then became the institute's Coordinator. While teaching at the Universities of Wisconsin and Rhode Island, she wrote "A Directory of Festivals of Theater, Dance and Folklore Around the World," published by the International Theater Institute. Denmark's Odin Teatret's director, Eugenio Barba, wrote his manifesto in the form of a letter to "Dear Jennifer Merin," which has been published around the world, in languages as diverse as Farsi and Romanian. Jennifer's culturally-oriented travel column began in the LA Times in 1984, then moved to The Associated Press, LA Times Syndicate, Tribune Media, Creators Syndicate and Arcamax Publishing. She's been news writer/editor for ABC Radio Networks, on-air reporter for NBC, CBS Radio and for Westwood One's America In the Morning. She is a member of the Critics Choice Association in the Film, Documentary and TV branches and a voting member of the Black Reel Awards. For her AWFJ archive, type "Jennifer Merin" in the Search Box (upper right corner of screen).