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KISS OF THE SPIDER WOMAN – Review by Susan Granger

Susan Granger , , , , , , , ,
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Winner of seven Tony Awards, including Best Musical, Kiss of the Spider Woman, based on Manuel Puig’s 1976 novel, delves into the complex relationship between two prisoners incarcerated in a cellblock in Buenos Aires, Argentina, circa 1983.

Valentin Arregui (Diego Luna) is a relentless Marxist revolutionary, vehemently opposed to the repressive military regime that followed Juan & Eva Peron’s expulsion, while Luis Molina (perceptive newcomer Tonatiuh) is a flamboyantly gay window-dresser who was arrested for public indecency with another man.

Vulnerable Luis would rather escape into fantasy than face grim reality so – to pass their time together – he relates to skeptical Valentin his obsession with a glamorous movie star named Ingrid Luna (Jennifer Lopez).

As their relationship grows, Valentin confides in Luis that he’s got information that the warden (Bruno Bichir) wants. Eager listener Luis’ subsequent reaction spins the melodrama as themes of love and sacrifice are reflected in parallel narratives.

Adaptors Eli Roth & Joe Crombie with director Bill Condon (Dreamgirls, Gods and Monsters) have discarded much of the deliberate calculation between the two disparate inmates in favor of sentimentality – skewing the focus on sultry, slinky Jennifer Lopez who vamps it up in full ‘diva’ mode in exuberant, elaborately staged musical numbers.

FULL DISCLOSURE: I didn’t like this John Kander/Fred Ebb musical with its wholly forgettable songs and a book by Terrence McNally when it was on Broadway, and I’m always acutely aware of Ms. Lopez’s minimal acting ability (as opposed to Chita Rivera & Sonia Braga) and lack of vocal range – which is why I lack enthusiasm for this vehicle – which director Hector Babenco made into a far more memorable, non-musical 1985 movie, starring Raul Julia and Oscar-winning William Hurt.

On the Granger Gauge of 1 to 10, Kiss of the Spider Woman is a strenuous-yet-stilted, sanitized 6, playing in theaters.

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Susan Granger

Susan Granger is a product of Hollywood. Her natural father, S. Sylvan Simon, was a director and producer at R.K.O., M.G.M. and Columbia Pictures; her adoptive father, Armand Deutsch, produced movies at M.G.M. As a child, Susan appeared in movies with Abbott & Costello, Red Skelton, Lucille Ball, Margaret O'Brien and Lassie. She attended Mills College in California, studying journalism with Pierre Salinger, and graduated from the University of Pennsylvania with highest honors in journalism. During her adult life, Susan has been on radio and television as an anchorwoman and movie/drama critic. Her newspaper reviews have been syndicated around the world, and she has appeared on American Movie Classics cable television. In addition, her celebrity interviews and articles have been published in REDBOOK, PLAYBOY, FAMILY CIRCLE, COSMOPOLITAN, WORKING WOMAN and THE NEW YORK TIMES, as well as in PARIS MATCH, ELLE, HELLO, CARIBBEAN WORLD, ISLAND LIFE, MACO DESTINATIONS, NEWS LIMITED NEWSPAPERS (Australia), UK DAILY MAIL, UK SUNDAY MIRROR, DS (France), LA REPUBBLICA (Italy), BUNTE (Germany), VIP TRAVELLER (Krisworld) and many other international publications through SSG Syndicate. Susan also lectures on the "Magic and Mythology of Hollywood" and "Don't Take It Personally: Conquering Criticism and other Survival Skills," originally published on tape by Dove Audio.