MOVIE OF THE WEEK March 13, 2026: SPACEWOMAN

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Looking at Eileen Collins — and hearing her talk in such an unassuming, approachable way, with a cadence that really sounds more Midwestern than southern New York, where she grew up — you’d be forgiven for not immediately recognizing her as the barrier-busting astronaut who, in 1999, became the first woman to command a Space Shuttle mission for NASA. But Hannah Berryman’s compelling documentary Spacewoman aims to make sure everyone knows exactly who Collins is.

The film, which is based on Collins’ memoir Through the Glass Ceiling to the Stars: The Story of the First American Woman to Command a Space Mission, which she co-wrote with Jonathan H. Ward, tells Collins’ story from her early days in Elmira, NY, as the daughter of an alcoholic father and (likely) severely depressed mother to her dogged pursuit of her dreams of flight to becoming a mother herself — and how that ultimately impacted her choices as an astronaut. Mixing interviews with Collins, her husband, Pat Youngs, and their daughter, Bridget Youngs, along with reflections by other space program veterans and footage from and about Collins’ missions, Berryman makes it clear just how significant Collins’ contribution to NASA was — and how the example she set continues to influence and inspire other would-be female astronauts.

Woven in with Collins’ history is that of NASA’s Space Shuttle program itself, especially the challenges it faced in the wake of the tragedies of the Challenger and Columbia missions. Interviewees make it clear just how easy it is for the tiniest of complications to scrub a launch — or doom a crew of highly trained pilots and scientists. That risk never stopped Collins from wanting to reach for the stars, though the situation became more complex once Bridget and her younger brother, Luke, came along in the 1990s. Bridget, who appears in the film extensively, is particularly honest about how hard it was to have her mother do dangerous work that took her away from the family for long periods — but she doesn’t voice blame or accusations against Eileen.

It’s impossible not to wonder, had this film been about a male astronaut, whether there would have been quite so much time devoted to his children’s reflection about the stress that his job put on them, with the underlying implication being that his choice to continue to fiercely pursue success in his profession was surprising (or even required explanation) once he became a parent. But once you watch Spacewoman, it’s also impossible not to wonder where the space program might be today had more women like Collins been in the mix from Day One. — Betsy Bozdech

Team #MOTW’s comments:

Loren King Fans of The Right Stuff, Apollo 13 and documentaries about the moon landing Apollo 11 and For All Mankind should welcome and delight in the revelatory Spacewoman, about astronaut Eileen Collins, the first woman to pilot and command a space shuttle. Director Hannah Berryman’s taut and emotionally satisfying film traces Collins’ humble origins in Elmira, New York; the hard work and resiliency that launched her impressive career in the US Air Force and at NASA; and how she faced and triumphed over sexism in the 1990s to command increasingly dangerous space shuttle missions that proved her skill and nerves of steel. The engrossing story also details the impact of Collins’ missions as a pilot on her family. Spacewoman deftly manages to be about both dizzying achievements in the dangerous realm of outer space and the other kind of courage and integrity it takes to be grounded back on earth.

Nell Minow: The traditional structure of this documentary fits the subject, a straightforward, respectful story of a woman of remarkable intelligence, dedication, and courage. Archival footage and interviews form the basis for a review of the career of pioneering pilot and astronaut Eileen Collins. Her reflections on her choices are candid and insightful. And any parent will recognize the wrenching choices that come with balancing a career and a family.

Leslie Combemale What always elevates documentaries about space travel for me is specific stories of problem solving of near calamities, and the show of grace under pressure. Spacewoman has that and more. What makes Eileen Collins’ stories particularly affecting is how she comes at them from the perspective of being a female trailblazer, and dealing with the added pressure that meant for herself and her family. Director Hannah Berryman and her subjects don’t shy away from personal struggle or trauma, either, offering an emotional depth to the film that will pull viewers in and make it both entertaining and enlightening.

Jennifer Merin Spacewoman is an inspiring documentary profile about astronaut Eileen Collins. covering her career as a NASA commander and her personal life as loving wife and Mom. Filmmaker Hannah Berryman’s film is as much a well-deserved tribute as it is a chronicle, showing how Collins shattered the glass ceiling of space exploration by being the first woman to command a mission into space. The documentary shows her extraordinary determination to succeed from the time she was a teenager taking flying lessons with money she made and saved.

Sandie Angulo Chen: Director Hannah Berryman’s documentary Spacewoman is a fascinating chronicle of the life and career of ambitious NASA trailblazer Eileen Collins, the first woman to command a space shuttle mission. While many have heard of the “first six” women astronauts, particularly the late Sally Ride and Judith Resnik, this film offers an insightful look at Collins, who joined NASA in the post-Challenger era. The documentary explores both the sexism and support (mostly from her commercial pilot husband Pat Youngs) she encountered as a pilot and astronaut. Through interviews with Collins, her family (especially her husband and daughter Bridget), colleagues, and experts, the doc also highlights how she balanced the demanding roles of astronaut with her personal life as a wife and mother.

Liz Whittemore Seeking adventure that had previously been marketed only to boys, Eileen Collins’ passion to shoot for the stars changed everything. Hannah Berryman’s unfiltered documentary, Spacewoman, pays tribute to a pioneer in the field of space travel. The doc contains an extraordinary amount of archival footage. The film confronts the unfathomable danger of each flight, particularly the national trauma induced by the explosion of the Challenger. Collins emotionally complex relationship with her daughter will hit you in the chest, no doubt triggering the realization that the dynamic is different when it is a mother smashing the glass ceiling and patriarchal standards. While any space lover will be in awe of this film, more importantly, Spacewoman is a quintessential example of the resiliency and tenacity of the female species. The moment you tell a determined woman No changes everything. Spacewoman is a perfect “Oh, yeah? Watch me” moment in history.

Cate Marquis My first question after watching filmmaker Hannah Berryman’s fine documentary Spacewoman, about astronaut Eileen Collins, was why on Earth didn’t I already know her name. The first pilot/commander of the International Space Station, the first female pilot astronaut to go to the space station, the smiling Eileen Collins was in that first group of women breaking NASA’s glass ceilings. Surprisingly, Eileen Collins didn’t come from a priveleged background but grew up poor, living in public housing with a mother who used food stamps to make ends meet and a hard-drinking father. Yet, she developed an unlikely ambition to be an astronaut. Determined Eileen went about that in an organized, logical way, figuring out that her best shot was to first become a pilot. There was no money for that, so while still a teen, she earned enough to pay for flying lessons. That combination of clear-eyed planning and steely self-discipline is what makes Collins so amazing but all that strength is hidden behind Collin’s smiling, likable yet unflappable demeanor. She not only achieved her ambition to become an astronaut despite NASA’s boys’ club atmosphere, but did all that while still having a full family life as wife and mother, with help from her easy-going, supportive pilot husband. The documentary explores this remarkable woman’s rise, through archival footage, interviews with colleagues, friends and family, and with Collins herself. Spacewoman is an inspiring delight sure to bring a smile, as well as impress you with what one determined, disciplined woman can do.

FILM DETAILS:

Title: Spacewoman

Director: Hannah Berryman

Release Date: March 20, 2026

Running Time: 93 minutes

Language: English

Screenwriters: Documentary based on Eileen Collins’ memoir Through the Glass Ceiling to the Stars: The Story of the First American Woman to Command a Space Mission

Lead Performers: Eileen Collins, Pat Youngs, Bridget Youngs

Distribution Company: Haviland Digital

AWFJ Movie of the Week Panel Members: Sandie Angulo Chen, Betsy Bozdech, Leslie Combemale, Loren King, Cate Marquis, Jennifer Merin, Nell Minow, Liz Whittemore

Previous #MOTW Selections

Other Movies Opening This Week

Edited by Jennifer Merin

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Jennifer Merin

Jennifer Merin is the Film Critic for Womens eNews and contributes the CINEMA CITIZEN blog for and is managing editor for AWFJ.org, the online magazine of the Alliance of Women Film Journalists, of which she is President. She has served as a regular critic and film-related interviewer for The New York Press and About.com. She has written about entertainment for USA Today, The L.A. Times, US Magazine, Ms. Magazine, Endless Vacation Magazine, NY Daily News, New York Post, SoHo News and other publications. After receiving her MFA from Tisch School of the Arts (Grad Acting), Jennifer performed at the O'Neill Theater Center's Playwrights Conference, Long Wharf Theater, American Place Theatre and LaMamma, where she worked with renown Japanese director, Shuji Terayama. She subsequently joined Terayama's theater company in Tokyo, where she also acted in films. Her journalism career began when she was asked to write about Terayama for The Drama Review. She became a regular contributor to the Christian Science Monitor after writing an article about Marketta Kimbrell's Theater For The Forgotten, with which she was performing at the time. She was an O'Neill Theater Center National Critics' Institute Fellow, and then became the institute's Coordinator. While teaching at the Universities of Wisconsin and Rhode Island, she wrote "A Directory of Festivals of Theater, Dance and Folklore Around the World," published by the International Theater Institute. Denmark's Odin Teatret's director, Eugenio Barba, wrote his manifesto in the form of a letter to "Dear Jennifer Merin," which has been published around the world, in languages as diverse as Farsi and Romanian. Jennifer's culturally-oriented travel column began in the LA Times in 1984, then moved to The Associated Press, LA Times Syndicate, Tribune Media, Creators Syndicate and Arcamax Publishing. She's been news writer/editor for ABC Radio Networks, on-air reporter for NBC, CBS Radio and for Westwood One's America In the Morning. She is a member of the Critics Choice Association in the Film, Documentary and TV branches and a voting member of the Black Reel Awards. For her AWFJ archive, type "Jennifer Merin" in the Search Box (upper right corner of screen).