MOVIE OF THE WEEK April 3, 2026: THE BLUE TRAIL

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The film takes place in a near-future Brazil in which senior citizens are removed from their jobs and homes and relocated to the mysterious “colony” when they reach a certain age, to make more opportunities and resources available for younger people. Older folks are promised the chance to rest and be taken care of … but no one ever seems to see them again once they’ve been moved. Tereza (Weinberg), at 77, is self-sufficient and still working every day at her factory job when she learns that her number is up, and she’ll be colony-bound in just a few days.

The deadline spurs her to take action, using her savings in pursuit of checking one item off of her very modest bucket list: She’d like to fly in an airplane. Naturally, it’s not as simple as booking a ticket from a travel agent, as the law has put her in the custody of her adult daughter, who’s impatient with Tereza’s resistance to starting the next phase of her life. But Tereza is resourceful, and she finds ways around the restrictions, embarking on a trip down the Amazon with scruffy boat captain Cadu (Rodrigo Santoro) that ultimately leads her to other new experiences — and new friends. She takes risks, follows her instincts, and doesn’t let others define her.

Weinberg is excellent as Tereza, completely and convincingly living in her character’s skin. Tereza is no faded flower, ready to wilt into the background; she’s vibrant and eager to try new things. More than anything, Tereza’s adventure wakes her up to the possibilities of life, possibilities she didn’t feel able to pursue in her younger days, when her family depended on her. Rather than bow out of society quietly now that her “productive” time is done, Tereza — who seems to have followed the rules all her life — is finally ready to make some noise. – Betsy Bozdech

Team #MOTW’s comments:

Nell Minow: It is unusual to see a film set in the future that spends so much time in vast, pristine, and breathtakingly gorgeous nature. The setting is merely a premise to get our heroine away from home and on a journey that is as much self-discovery as it is geography. That is a journey we are glad to be on alongside Tereza, a lovely performance by Denise Weinberg, to see her literally let down her hair, find a friend, and open herself to joy.

Leslie Combemale There’s a strong streak of magical realism that infuses the story of a 77 year old woman yearning to experience freedom and joy as she continues to age. Unfortunately, in this dystopian future, the Brazilian government sends all citizens to an elders colony, where, ominously, they’re never heard from again. Tereza (Denise Weinberg) is having none of that. She tries to sow her wildest remaining oats in the week she has left before being “sent away”, but discovers she has to have her daughter’s permission for even taking a flight with her own money. Thus ensues a personal odyssey to discover her next chapter, ageist government be damned. Read full review.

Jennifer Merin In the economic turmoil of dystopian Brazil, Tereza, a 77 year old laborer whose daily life is scheduled around the factory job she’s worked for decades, is suddenly fired because the government’s new laws require retirement of aged workers — including those who are perfectly capable — in order to open employment opprtunities for younger citizens. The law also demands that Tereza leave the comforts of her home and her belongings to be transported in a wagon cage — aka ‘the wrinkle wagon’ — to an elder ‘colony,’ where she must reside until she dies. Refusing that fate, Tereza cleverly outmaneuvers the officials who’ve come to take her away and sets out on a journey along the Amazon River to preserve her freedom, find her future and fulfill her dreams — including a bucket list wish to fly in an airplane. In this equisitely crafted film, director and co-screenwriter Gabriel Mascaro transforms the dystopian setting into a thoroughly engaging adventure, one that’s filled with discovery and unexpected inspiration. Tereza, beautifully portrayed by Denise Weinberg, is a down to earth, no nonsense, self-reliant, unintentional heroine who triumphs just because she won’t give up. And she’s 77 years old. Following her on her journey is pure joy.

Loren King What an original and memorable movie about aging that takes it out of realism and into a vivid fantastical, but no less real-seeming, realm. Brazilian screenwriter Tibério Azul and director Gabriel Mascaro set The Blue Trail in a recognizable future where citizens are required to self-report to a Colony once they reach age 75. It’s a grim scenario but besides intoxicating photography, the film is rich with humor such as the senior citizens being required to wear diapers on the journey whether they need them or not or the region’s ramshackle houses adorned with graffiti critical of the policy. The bureaucracy meets its match in 77 year-old Tereza (Denise Weinberg) who refuses to go gently. Her desire to fly in a plane as a last act of defiance takes her on a picaresque journey along a river and then into a surreal casino where she bets her savings to try to win a boat. With each setback and twist of events, Tereza grows more feisty and determined that the system won’t rob her of her freedom, her spirit or her humanity.

Monique Jones The Blue Trail has a lot of high points, most notably how it treats concepts like aging. Just because you have reached “elderly” status doesn’t mean life stops. In the film, 77 year old Tereza (Denise Weinberg) comes into her own, avoiding state sanctioned retirement and relocation to an elder ‘colony’ and instead learning more about herself and what she wants out of the rest of her life. Read full review.

Cate Marquis In The Blue Trail, director and co-writer Gabriel Mascaro paints a dystopian nightmare where older people become the wards of their children who they must ask for permission to do things, are forced to show their papers, can be picked up by the police and transported in cage-like “wrinkle wagons” if they step out of line, and are ultimately transported to the Colony, from which no one returns, no matter how fit and capable that older person is and even if their family wants them to stay with them. Read full review.

FILM DETAILS:

Title: The Blue Trail

Director: Gabriel Mascaro

Release Date: April 3, 2026

Running Time: 85 minutes

Language: Portuguese with English subtitles

Screenwriters: Gabriel Mascaro, Tibério Azul

Lead Performers: Denise Weinberg

Distribution Company: Dekanalog

AWFJ Movie of the Week Panel Members: Sandie Angulo Chen, Betsy Bozdech, Leslie Combemale, Monique Jones, Loren King, Cate Marquis, Jennifer Merin, Nell Minow, Liz Whittemore

Previous #MOTW Selections

Other Movies Opening This Week

Edited by Jennifer Merin

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Jennifer Merin

Jennifer Merin is the Film Critic for Womens eNews and contributes the CINEMA CITIZEN blog for and is managing editor for AWFJ.org, the online magazine of the Alliance of Women Film Journalists, of which she is President. She has served as a regular critic and film-related interviewer for The New York Press and About.com. She has written about entertainment for USA Today, The L.A. Times, US Magazine, Ms. Magazine, Endless Vacation Magazine, NY Daily News, New York Post, SoHo News and other publications. After receiving her MFA from Tisch School of the Arts (Grad Acting), Jennifer performed at the O'Neill Theater Center's Playwrights Conference, Long Wharf Theater, American Place Theatre and LaMamma, where she worked with renown Japanese director, Shuji Terayama. She subsequently joined Terayama's theater company in Tokyo, where she also acted in films. Her journalism career began when she was asked to write about Terayama for The Drama Review. She became a regular contributor to the Christian Science Monitor after writing an article about Marketta Kimbrell's Theater For The Forgotten, with which she was performing at the time. She was an O'Neill Theater Center National Critics' Institute Fellow, and then became the institute's Coordinator. While teaching at the Universities of Wisconsin and Rhode Island, she wrote "A Directory of Festivals of Theater, Dance and Folklore Around the World," published by the International Theater Institute. Denmark's Odin Teatret's director, Eugenio Barba, wrote his manifesto in the form of a letter to "Dear Jennifer Merin," which has been published around the world, in languages as diverse as Farsi and Romanian. Jennifer's culturally-oriented travel column began in the LA Times in 1984, then moved to The Associated Press, LA Times Syndicate, Tribune Media, Creators Syndicate and Arcamax Publishing. She's been news writer/editor for ABC Radio Networks, on-air reporter for NBC, CBS Radio and for Westwood One's America In the Morning. She is a member of the Critics Choice Association in the Film, Documentary and TV branches and a voting member of the Black Reel Awards. For her AWFJ archive, type "Jennifer Merin" in the Search Box (upper right corner of screen).