MOVIE OF THE WEEK May 1, 2026: AMERICAN DREAM

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It’s been slightly over 40 years since Hormel factory workers in Austin, Minnesota, went on a nearly year-long strike to protest slashed wages and benefits — and 35 years since Barbara Kopple’s revealing film about the strike, American Dream, won the Best Documentary Oscar in 1991. And what lingers most after watching the movie’s new 4K restoration is the feeling of how relevant so much of it still is decades later.

Sure, fashions and hairstyles may have changed since the mid-’80s, and goodness knows our filmmaking equipment is a bit more sophisticated these days, but we still live in a world (or at least a country) in which the rich continue to get richer while the working class struggles to make ends meet. And when the latter dares to stand up for themselves, they’re met with disdain, condescension, and an unyielding devotion to capitalism. Let’s just say that the parade of White men in suits defending Hormel’s anti-worker policies and choices in 1985 doesn’t feel very far removed from the politicians and business leaders who are still prioritizing profit over people in 2026.

And organizing effectively to demand change is often just as difficult now as it was then, too. The members of the local chapter of the United Food and Commercial Workers are hardly united in their perspectives on how to deal with Hormel, and even after they do decide to strike, they end up at odds with the national organization. Kopple’s fly-on-the-wall camera captures it all, documenting the union’s internal conflicts, the impact that the strike has on Austin’s residents and other businesses, and the lengths Hormel goes to in order to combat the strike.

As she introduces colorful personalities like labor activist Ray Rogers and union leader Lewie Anderson, as well as the quieter folks who make up the factory rank and file, Kopple makes it very clear that a strike like the one in Austin is complicated, painful, and maddening for everyone involved. Which isn’t to say that it’s not the right thing to do when circumstances demand it — but wouldn’t the real American dream be to build a society in which workers were treated fairly and respectfully and striking was never necessary in the first place? — Betsy Bozdech

Team #MOTW’s comments:

Sandie Angulo Chen: This May Day is an ideal time to watch, or revisit, Barbara Kopple’s Academy Award-winning documentary American Dream, about the 1985-86 Hormel meatpackers’ strike in Austin, Minnesota. Kopple’s 1990 film, which has been restored and rereleased, chronicles the weakening of trade unions during the Reagan era and the rise of corporate power. She captures everything from the solidarity and hope at the strike’s outset to the devastation when strikebreakers cross the picket lines, pitting friends, neighbors, and even brothers against one another. A remarkable documentary, American Dream confirms Kopple’s place in the pantheon of essential documentarians alongside Werner Herzog, Agnès Varda, Ken Burns, and Michael Moore.

Loren King Director Barbara Kopple’s Oscar winning 1990 documentary “The American Dream” remains sobering, infuriating evidence of how we got in the mess we’re now in. Thanks to Kopple and Janus Films, this 4K restoration, supervised by Kopple and including a remastered soundtrack (Kopple recorded the film’s dynamic sound, just as she did for her 1976 masterpiece “Harlan County, USA”) will bring new audiences to this stunning, relevant work. Read full review

Nell Minow: Barbara Kopple’s film holds up well. Her extraordinary ability to listen with the camera and to gain the trust of the people she is filming make the experience of watching immediate, seamless, and immersive. She lets the people tell their own story, and it is one that is even more meaningful and cautionary today than it was when she made it.

Monique Jones American Dream should be a relic of the past. But, even though it was made in 1990, elements of the film are still, sadly, relevant today. Today, we live in a time in which workers are being let go or faced with reduced wages. No matter what your job situation is, the dollar doesn’t go as far as it used to and companies are focused on making more money at the expense of the people. American Dream asks who has access to that dream–is it only for the execs who forget about the value of their workers, or is it for the workers who want to achieve a sustainable life for their families?

Leslie Combemale Right now the corporate world and Hollywood job markets are shrinking. Folks paying attention have seen the recent struggles for better working conditions and pay at Amazon and Starbucks, both resulting in limited success for employees. For those reasons, the 4K restoration of Barbara Koppel’s documentary masterpiece couldn’t come at a better time. The film always struck me as a Greek tragedy, in which hope for the future is hard won, but that doesn’t make it any less compelling. Beyond being like a time capsule of the political and labor union challenges of the late 1980s, it is fascinating viewing for bringing perspective to the current fight for workers’ rights. Though a hard watch, this is absolutely essential viewing.

Jennifer Merin American Dream, Barbara Kopple’s brilliant 1990 documentary, is being rereleased in its 4K restoration. The Oscar-winning (1991) documentry is about the United Food and Commercial Workers labor union’s strike against Hormel, the megamakers and purveyors of SPAM and other such meaty American eats. The documentary follows the developmental phases of negotiations and the impact that the strike has on workers lives and family/friend loyalties, showing that the space between capitulation and walkout/picketline is intensely difficult. Observtional in style, the film focuses on several main characters, including union leaders Ray Rogers and Lewie Anderson, capturing their strike-related hardships and sentiments. The rerelease of American Dream is timely for reasons that are abundantly clear. Brava Barbara Koppel and Janus Films for raising awareness. Think about it: Has the American Dream turned into a corporation-generated nIghtmare for most working and middle class class citizens?

Sandie Angulo Chen: This May Day is an ideal time to watch, or revisit, Barbara Kopple’s Academy Award-winning documentary American Dream, about the 1985-86 Hormel meatpackers’ strike in Austin, Minnesota. Kopple’s 1990 film, which has been restored and rereleased, chronicles the weakening of trade unions during the Reagan era and the rise of corporate power. She captures everything from the solidarity and hope at the strike’s outset to the devastation when strikebreakers cross the picket lines, pitting friends, neighbors, and even brothers against one another. A remarkable documentary, American Dream confirms Kopple’s place in the pantheon of essential documentarians alongside Errol Morris, Werner Herzog, Agnès Varda, Ken Burns, and Michael Moore.

Liz Whittemore The new 4K restoration of Barbara Koppel’s American Dream feels less like a historical document and more like a mirror held up to our current labor landscape. Viewing the film that earned Koppel her second Oscar feels vivid in both its messaging and visual sharpness. Witnessing a small town torn apart by corporate betrayal and their neighbor’s growing desperation hits you in the gut. American Dream is essential viewing, daring emotionally intelligent audiences to recognize the profit-driven structure in place to control blue-collar workers. It’s a must-watch.

Cate Marquis The release of the restored version of Barbara Koppel’s brilliant 1990 documentary, American Dream, about a labor union strike against meat-processing giant Hormel, whose products include Spam, could not be mre timely. This gripping, people-centered documentary, without narration, follows the actions of individual workers and union representatives between 1985 and 1986 at a Minnesota meat-packing plant, after the Hormel company asks hard-working employees to take a significant pay cut. Not because the company is struggling (it is very profitable), but simply to “remain competitive.” Only one union leader in this documentary seems to grasp the significance of that change, noting the company is simply taking advantage of economic changes to gain advantage and increase profits, while most of the union’s international leadership fails to grasp that. Set at a time when Reagan traded double-digit inflation for double-digit unemployment, using terms like layoff and downsizing, and ending decades of Keynesian economics that favored the middle of the income curve, trading it for an economic plan that favors moving manufacturing out of the U.S. to maximize profit by cutting labor cost, we watch as the union splits into factions arguing about negotiating style, and a strike at one plant drags on while the company flexes new economic muscle in union-busting. Watching these events unfold, in light of our present economy, is heartbreaking and sobering, and it feels very much as if the documentary caught on camera the moment the American Dream started to die.

FILM DETAILS:

Title: American Dream

Director: Barbara Kopple

Release Date: October 6, 1990; rerelease May 1, 2026

Running Time: 98 minutes

Language: English

Screenwriters: Verite documentary

Lead Performers: United Food and Commercial Workers, Hormel Company executives

Distribution Company: Janus Films; Paramount Pictures

AWFJ Movie of the Week Panel Members: Sandie Angulo Chen, Betsy Bozdech, Leslie Combemale, Monique Jones, Loren King, Cate Marquis, Jennifer Merin, Nell Minow, Liz Whittemore

Previous #MOTW Selections

Other Movies Opening This Week

Edited by Jennifer Merin

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Jennifer Merin

Jennifer Merin is the Film Critic for Womens eNews and contributes the CINEMA CITIZEN blog for and is managing editor for AWFJ.org, the online magazine of the Alliance of Women Film Journalists, of which she is President. She has served as a regular critic and film-related interviewer for The New York Press and About.com. She has written about entertainment for USA Today, The L.A. Times, US Magazine, Ms. Magazine, Endless Vacation Magazine, NY Daily News, New York Post, SoHo News and other publications. After receiving her MFA from Tisch School of the Arts (Grad Acting), Jennifer performed at the O'Neill Theater Center's Playwrights Conference, Long Wharf Theater, American Place Theatre and LaMamma, where she worked with renown Japanese director, Shuji Terayama. She subsequently joined Terayama's theater company in Tokyo, where she also acted in films. Her journalism career began when she was asked to write about Terayama for The Drama Review. She became a regular contributor to the Christian Science Monitor after writing an article about Marketta Kimbrell's Theater For The Forgotten, with which she was performing at the time. She was an O'Neill Theater Center National Critics' Institute Fellow, and then became the institute's Coordinator. While teaching at the Universities of Wisconsin and Rhode Island, she wrote "A Directory of Festivals of Theater, Dance and Folklore Around the World," published by the International Theater Institute. Denmark's Odin Teatret's director, Eugenio Barba, wrote his manifesto in the form of a letter to "Dear Jennifer Merin," which has been published around the world, in languages as diverse as Farsi and Romanian. Jennifer's culturally-oriented travel column began in the LA Times in 1984, then moved to The Associated Press, LA Times Syndicate, Tribune Media, Creators Syndicate and Arcamax Publishing. She's been news writer/editor for ABC Radio Networks, on-air reporter for NBC, CBS Radio and for Westwood One's America In the Morning. She is a member of the Critics Choice Association in the Film, Documentary and TV branches and a voting member of the Black Reel Awards. For her AWFJ archive, type "Jennifer Merin" in the Search Box (upper right corner of screen).