MOVIE OF THE WEEK May 15, 2026: MAGIC HOUR
It’s tricky to discuss Katie Aselton’s poignant relationship drama Magic Hour without revealing the story twists that give it such a powerful emotional punch. The writer-director-star crafts the first act of her film very carefully, setting viewers’ expectations and then challenging them. The result is both romantic and touching, with memorable performances by Aselton and co-star Daveed Diggs and a gorgeous, haunting setting amid the singular landscape of Joshua Tree.
The film opens with a playful phone video that makes it clear that Erin (Aselton) and Charlie (Diggs) have a happy marriage and are extremely into each other — so when the action then cuts to them arriving, much more somberly, to stay at a friend’s house in the desert, it’s obvious that something has changed. There are big feelings in the mix, and the couple definitely has challenges to work out. They walk, they talk, they argue, they embrace. Flashbacks address some of the obstacles they’ve already encountered, underlining fact that they care about each other deeply.
Aside from a few scenes with brief appearances by friends and family members — including Brad Garrett as their desert-house-owning friend, Marshall, a bevy of drag queens, and Susan Sullivan as Erin’s mother, Diane — Magic Hour is a two-hander, and Aselton and Diggs deliver. They’re believable as a couple, and they play Erin and Charlie’s ups and downs convincingly. Aselton co-wrote the film with her real-life husband, actor/filmmaker Mark Duplass, and much of the “in the present” dialogue between the two main characters has a real ring of authenticity. (The flashback videos slightly less so, but they have some heavy expository weight to bear.)
Sarah Whelden’s cinematography is another crucial aspect of the film: From golden desert landscapes to blurred moments of emotional intensity, the way the movie is photographed is key to telling its story. And once you understand exactly where that story is going, Magic Hour takes on deeper meaning — to the point that you may well decide to go back to the beginning and watch the first part again, through a lens of new understanding. – Betsy Bozdech
Team #MOTW’s comments:
Loren King Magic Hour tackles grief head-on. It’s an original and admirable attempt to convey what gutting loss feels like and tell it slant, from the perspective of both the living and the dead. It’s an updating of Ghost that even references that film. Director Katie Aselton stars as Erin —angry, lost, heartbroken — and we slowly understand why. Her beloved Charlie (Daveed Diggs in an award-worthy performance) is realer than real but exists only in memory, appearing alongside Erin in the Joshua Tree desert where she’s gone to heal. Aselton and co-writer Mark Duplass make stunning use of this isolated and eerily magical setting. The performances are razor sharp when the loss overpowers and achingly mournful when it upends them with the force of an undertow.
Sandie Angulo Chen: Magic Hour is a moving marital drama from writer-director Katie Aselton, who also stars opposite Daveed Diggs in this intimate two-hander. Co-written with Aselton’s husband and frequent collaborator Mark Duplass, the film explores themes of loss, memory, codependence, and survival through the story of Birdie (Aselton) and Charlie (Diggs), a couple retreating to a desert home owned by a close friend (Brad Garrett) to repair their seemingly fractured marriage. Both leads are terrific, evoking the inexplicable, often futile feeling of trying to move forward after trauma.
Nell Minow: Katie Aselton’s film is a meditation on grief and the struggle between holding on to what we’ve lost and the pull of a full life. The cinematic term that gives the film its title refers to those brief moments between day and evening when the light is soft and golden. Aselston’s character is also in between and the movie portrays her conflicting feelings empathetically and poetically.
Leslie Combemale Director and co-writer Katie Aselton deftly navigates telling the story at the center of Magic Hour, leveraging her work both behind the camera and in front, as one of the stars. She and co-writer Mark Duplass have created a believable couple in Erin (Aselton) and Charlie (Daveed Diggs). Their challenges both past and present fairly vibrate off the screen, due to their chemistry together, and the beautiful nuances they’ve built into the lives of the characters. Whether you can see the plot’s major “twist” a mile away or not, Erin and Charlie’s journey still resonates. Essentially, the message behind the film is that every single stage of a couple’s life together is hard. In Magic Hour, we get to see some of those stages up close.
Jennifer Merin Magic Hour is director Katie Aselton’s poignant, poetic and deeply personal cinematic elegy on lost love and grief. Aselton co-wrote the script with Mark Duplass (her real life husband) and co-stars with Daveed Diggs (her on screen husband). Images flow freely, allowing audiences to free associate, exist in the moment and quietly wonder what the beautifully crafted film is really all about, what Aselton is getting at. — until about 20 minutes into it, when a fleeting reveal introduces a new understanding and perspective, and the story twists into something unexpected. No spoilers here. Craftwise, the film is a gem. The camera work is takes full advantage of what is known in photgraphy as the ‘magic hour,’ the time of the day shortly after sunrise or before sunset when soft, warm, diffused natural light minimizes harsh shadows. All of the film’s design elements, including sound design, are superb. Films about lost love and grief aren’t east watches, but the pensive tone and joyful setting of Magic Hour make the emotional impact of the film quite uplifting.
Monique Jones Magic Hour is a raw, but still stylized, portrayal of grief, particularly sudden grief. I felt like Magic Hour did its best to showcase how confusing and terrifying it can be to try to make sense of death, especially when you’re not expecting death to show up. The film also does its best to inject some small moments of humor, since sometimes grief can include strange moments of levity. Read full review.
Liz Whittemore Director Katie Aselton co-writes a clever and heartfelt script about grief and the search for healing with Mark Duplass. Magic Hour follows a couple who seek solace in Joshua Tree as they try to piece their lives together after a profound personal loss. Daveed Diggs delivers an even gentleness that counters Katie Aselton’s emotional extremes. Aselton permits audiences to deeply feel the chaos of sadness. The gravity of the subject matter and the refreshingly offbeat approach give both actors the runway to explore the messy unknown. The script utilizes old videos from Erin and Charlie’s relationship, subconsciously begging the question of whether technology helps or hinders the grieving process. It forces audiences to join Erin in her blurred reality. Magic Hour manages to be both universally relatable and entirely unique.
Cate Marquis ‘Magic hour,’ also known as ‘golden hour,’ is that time of day filmmakers love, when just before sunset or just after sunrise, everything is bathed in a beautiful golden light. The film Magic Hour focuses on a woman (Katie Aselton) from Los Angeles who has come to her friend’s remote desert home, to sort through feelings about her husband (Daveed Diggs). Katie Aselton both stars in and directs this moving drama, and she co-wrote the script with her real-life husband, Mark Duplass, who serves as co-producer. Shot entirely during “magic hour,” the drama is visually-striking and its story of lost love and grief slips magically between the dreamlike and the real, while her emotions themselves are always real, authentic, and touching, as she works through pain to reach a place of peace.
FILM DETAILS:
Title: Magic Hour
Director: Katie Aselton
Release Date: May 15, 2026
Running Time: 80 minutes
Language: English
Screenwriters: Katie Aselton and Mark Duplass
Lead Performers: Katie Aselton, Daveed Diggs, Brad Garrett, Susan Sullivan
Distribution Company: Greenwich Entertainment
AWFJ Movie of the Week Panel Members: Sandie Angulo Chen, Betsy Bozdech, Leslie Combemale, Monique Jones, Loren King, Cate Marquis, Jennifer Merin, Nell Minow, Liz Whittemore
Other Movies Opening This Week
Edited by Jennifer Merin
