DISCLOSURE DAY – Review by Susan Granger

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With the release of his 35th movie, it’s obvious that Steven Spileberg is not just a good story-teller, he’s a GREAT story-teller.

The suspenseful tale he spins this time is Disclosure Day about the U.S. government’s attempt to keep the truth about UFOs secret.

Sinister Noah Scanlon (Colin Firth) heads WARDEX (Waived Reporting, Development and Extraction), a quasi-Defense Department agency from which cybersecurity expert Daniel Kellner (Josh O’Connor) has stolen a powerful device of alien origin along with extensive classified information and video files.

Although his girlfriend Jane (Eve Hewson) is held hostage by Scanlon’s underlings, Daniel manages to free her and get away, igniting a manhunt.

Supported by WARDEX’s Director of Biological Assets, paternal Hugo Wakefield (Colman Domingo), whistleblower Daniel believes people have a right to know about the coverup, dating back the 1947 Roswell, New Mexico, paranoia and the Nixon Administration.

Meanwhile in the middle of a TV broadcast, Kansas City, Missouri, meteorologist Margaret Fairchild (Emily Blunt) suddenly begins making bizarre, guttural clicking sounds which make no sense – except to Daniel, who recognizes the alien code.

To the bewilderment of her boyfriend, Jackson (Wyatt Russell, Goldie Hawn & Kurt Russell’s son), Margaret can suddenly speak foreign languages – like Korean and Russian – and manipulate the minds of everyone she encounters.

What Daniel and Margaret have in common is a terrifying childhood trauma that neither wants to remember. To tell you more would ruin the film’s many white-knuckle surprises and insights about faith in a supreme deity and the philosophical essence of humanity.

Scripted by David Koepp from Steven Spielberg’s story, it revolves around a nefarious conspiracy, cloaked in sci-fi mystery, tracing back to E.T. and Close Encounters of a Third Kind. And it’s a timely topic since former President Obama said he believes aliens are real, prompting President Trump to accuse him of revealing “classified information.”

Sure – there are some gaping plot loopholes – but cinematographer Janusz Kaminski dazzles with a high-speed train chase. buoyed by John Williams’ throwback score – so on the Granger Gauge of 1 to 10, “Disclosure Day” is an exciting 9, playing in theaters now.

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Susan Granger

Susan Granger is a product of Hollywood. Her natural father, S. Sylvan Simon, was a director and producer at R.K.O., M.G.M. and Columbia Pictures; her adoptive father, Armand Deutsch, produced movies at M.G.M. As a child, Susan appeared in movies with Abbott & Costello, Red Skelton, Lucille Ball, Margaret O'Brien and Lassie. She attended Mills College in California, studying journalism with Pierre Salinger, and graduated from the University of Pennsylvania with highest honors in journalism. During her adult life, Susan has been on radio and television as an anchorwoman and movie/drama critic. Her newspaper reviews have been syndicated around the world, and she has appeared on American Movie Classics cable television. In addition, her celebrity interviews and articles have been published in REDBOOK, PLAYBOY, FAMILY CIRCLE, COSMOPOLITAN, WORKING WOMAN and THE NEW YORK TIMES, as well as in PARIS MATCH, ELLE, HELLO, CARIBBEAN WORLD, ISLAND LIFE, MACO DESTINATIONS, NEWS LIMITED NEWSPAPERS (Australia), UK DAILY MAIL, UK SUNDAY MIRROR, DS (France), LA REPUBBLICA (Italy), BUNTE (Germany), VIP TRAVELLER (Krisworld) and many other international publications through SSG Syndicate. Susan also lectures on the "Magic and Mythology of Hollywood" and "Don't Take It Personally: Conquering Criticism and other Survival Skills," originally published on tape by Dove Audio.