MOVIE OF THE WEEK September 25, 2026: TWIGGY

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She may be one of the most iconic faces of the 1960s, but chances are you don’t know all that much about Dame Lesley Lawson, aka Twiggy. Director Sadie Frost aims to correct that with Twiggy, an intimate behind-the-scenes documentary about the (in)famous model/actress/singer/daughter/girlfriend/wife/mother — who, it turns out, is awfully down-to-earth for someone who found worldwide fame so young.

Born outside of northwest London in 1949, Twiggy began modeling in 1965, when she was just 16 years old. The fashion world was almost immediately captivated by her: Her thin figure and short hair — a look that many have described over the years as boyish and androgynous — set her apart from other models of the era and have since become synonymous with the “Swinging Sixties.” Indeed, after being named “The Face of ’66,” she went on to become one of the original supermodels, quickly parlaying her enormous modeling success into acting, singing, and more.

Using both archival footage and contemporary interviews with Lawson and her colleagues, friends, and family members, Frost follows Twiggy through the ups and downs of her life in the spotlight. While there were definitely some rough patches, especially in the relationship department, Lawson seems to have managed to stay grounded overall, recognizing the capriciousness of fame and thoroughly enjoying the opportunities that came her way. Familiar figures like Dustin Hoffman, Joanna Lumley, Brooke Shields, and more share memories and stories, as does Lawson’s daughter, Carly.

The end result is a compelling portrait both of an icon — Lawson was officially made a British Dame in 2019 — and of the era that made her iconic. Frost covers Twiggy’s full life story, but it’s the footage and stories of the 1960s and ’70s that linger longest, capturing the energy, excitement, and rebellion of a time when so much of the world was changing quickly. Even though they weren’t always easy for her, Lawson seems to remember those early days mostly with fondness, and that affection comes through clearly in Frost’s filM. — Betsy Bozdech

Team #MOTW’s comments:

Nell Minow: Sadie Frost lets Twiggy do what the media surrounding her in the 1960s did not — giving her a chance to tell her own story. Because she was an instant icon, one of the most photographed people of the 1960s, there is a wealth of archival material, both the familiar images and the glimpses behind the scenes, presented with art and intention. Ultimately, it is a story of extraordinary reslience through difficult times, personally and professionally, never losing her sense of humor or her sense of purpose.

Loren King What a charming and captivating time capsule about a woman who embodied her time and then transcended it. Director Sadie Frost’s Twiggy is, of course, a delightful memory trip back to the swinging ‘60s in London and the ascendency of working class teenager Lesley Hornby to the heights of fashion fame. As gamine faced, slim and androgynous Twiggy, she broke all the rules for what women should look and act like. But because Twiggy is so singular in her authenticity and unabashedly positive nature, the film become a stirring portrait of something else entirely. Read full review.

Leslie Combemale One of the most impressive and fascinating parts of watching Sadie Frost’s documentary is discovering how multi-dimensional Twiggy is. So often people see high profile models and celebrities and try to emulate the choices that led to their success. If those who watch Twiggy do so, they’ll reach for fearlessness, authenticity, flexibility, and life long joie de vivre. Twiggy is fierce and she is a force. It’s high time more of the world learns her whole story (so far). Frost does her great justice, capturing a woman fascinating enough to make us want to know not only her life story, but what her future might bring

Jennifer Merin Twiggy is filmmaker Sadie Frost’s delightful and insightful documentary about a cultural icon with lasting impact and influence: Twiggy (aka Dame Lesley Lawson). The film is a romp through 1960s and 70s popular culture. Frost gives us a mix of nostalgia-clad archival footage and on camera interviews with the legendary model/actress/singer/dancer and a slew of her closest celebrity firends to reveal a charming, unpretentious, inquisitive, hard working darling who dared to try anything entertainment-related and kept at it until she got it right. Twiggy started her when she was a teenager. She turned 77 on September 19, 2026, and she’s still going strong. Don’t let her diminutive frame fool you. Twiggy is mighty! See it for yourself!

Sandie Angulo Chen: Filmmaker Sadie Frost’s documentary Twiggy is both a tribute to and a chronicle of the iconic British model-turned-actor-turned-singer who embodied the 1960s English mod scene as a teen and reinvented herself time and again. Using archival footage and interviews with Twiggy’s industry co-stars, friends, admirers, and experts (including Dustin Hoffman, Brooke Shields, Joanna Lumley, Tommy Tune, and Stella McCartney), the documentary doesn’t shy away from the darker aspects of her early age-gap relationships or criticism of the influence her famously thin look had on diet culture and beauty standards. It’s a sweet film about a quiet, introverted young woman catapulted into stardom who worked hard to master new skills and ultimately become a true performer.

Liz Whittemore Sadie Frost’s Twiggy is a deeply affectionate tribute that brilliantly captures the meteoric rise and lasting legacy of the world’s first supermodel. Seamlessly blending rare archival footage with intimate new conversations, Frost celebrates not just the 1960s fashion icon, but an extraordinarily resilient woman who continuously reinvented herself as a singer, actor, and Broadway performer. With a star-studded cast of commentators and an unwavering focus on Dame Lesley Lawson’s warmth and charm, the documentary feels like a joyful love letter to British pop culture. It is an uplifting, stylish journey that reminds us why Twiggy’s grounded authenticity and timeless appeal remain as vibrant today as ever.

Monique Jones Sadie Frost’s Twiggy is a great watch for fashion fans and, more specifically, Twiggy fans. I liked learning more about her and seeing that she was who I thought she was–funny, self-deprecating, and without airs. I feel like, to paraphrase one of the people interviewed for the film, that her genuine spirit is what helped catapult her to stardom. She might have been one of the world’s most iconic fashion models, but she still remembered her working class roots. Read full review.

Cate Marquis Twiggy is director Sadie Frost’s appealing, charming documentary about the 1960s fashion icon known as Twiggy, whose super-skinny form and androgynous looks transformed how the fashion industry thought models were supposed to look. Prior to Twiggy, British fashion models came from the upper classes and were slim but curvy, tall and elegant young adult women. This 16-year-old girl from working class London, who spoke with a Cockney accent, changed all that. Read full review.

FILM DETAILS:

Title: Twiggy

Director: Sadie Frost

Release Date: September 25, 2026

Running Time: 94 minutes

Language: English

Screenwriter: Sadie Frost (Documentary)

Lead Performers: Twiggy, Dustin Hoffman, Joanna Lumley, Brooke Shields

Distribution Company: Cleopatra Entertainment

AWFJ Movie of the Week Panel Members: Sandie Angulo Chen, Betsy Bozdech, Leslie Combemale, Monique Jones, Loren King, Cate Marquis, Jennifer Merin, Nell Minow, Liz Whittemore

Previous #MOTW Selections

Other Movies Opening This Week

Edited by Jennifer Merin

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Jennifer Merin

Jennifer Merin is the Film Critic for Womens eNews and contributes the CINEMA CITIZEN blog for and is managing editor for AWFJ.org, the online magazine of the Alliance of Women Film Journalists, of which she is President. She has served as a regular critic and film-related interviewer for The New York Press and About.com. She has written about entertainment for USA Today, The L.A. Times, US Magazine, Ms. Magazine, Endless Vacation Magazine, NY Daily News, New York Post, SoHo News and other publications. After receiving her MFA from Tisch School of the Arts (Grad Acting), Jennifer performed at the O'Neill Theater Center's Playwrights Conference, Long Wharf Theater, American Place Theatre and LaMamma, where she worked with renown Japanese director, Shuji Terayama. She subsequently joined Terayama's theater company in Tokyo, where she also acted in films. Her journalism career began when she was asked to write about Terayama for The Drama Review. She became a regular contributor to the Christian Science Monitor after writing an article about Marketta Kimbrell's Theater For The Forgotten, with which she was performing at the time. She was an O'Neill Theater Center National Critics' Institute Fellow, and then became the institute's Coordinator. While teaching at the Universities of Wisconsin and Rhode Island, she wrote "A Directory of Festivals of Theater, Dance and Folklore Around the World," published by the International Theater Institute. Denmark's Odin Teatret's director, Eugenio Barba, wrote his manifesto in the form of a letter to "Dear Jennifer Merin," which has been published around the world, in languages as diverse as Farsi and Romanian. Jennifer's culturally-oriented travel column began in the LA Times in 1984, then moved to The Associated Press, LA Times Syndicate, Tribune Media, Creators Syndicate and Arcamax Publishing. She's been news writer/editor for ABC Radio Networks, on-air reporter for NBC, CBS Radio and for Westwood One's America In the Morning. She is a member of the Critics Choice Association in the Film, Documentary and TV branches and a voting member of the Black Reel Awards. For her AWFJ archive, type "Jennifer Merin" in the Search Box (upper right corner of screen).