ALLIANCE OF WOMEN FILM JOURNALISTS

Female Film Critics 24/375

Author: Sarah Knight Adamson

Reviews 

ALADDIN – Review by Sarah Knight Adamson

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It’s a shame, with the lavish sets, costumes, and talented actors that Aladdin’s script doesn’t develop the characters and the last forty minutes took a dark tone that lingered for too much time in a children’s film. Unfortunately, the numerous problems doom the film. Should your children see the movie? That depends if you’re okay with Jasmine’s dad the Sultan being tortured by electric shock bolts that inflict pain until she agrees to marry Jafar.

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Reviews 

JOHN WICK: CHAPTER 3 – PARABELLUM — Review by Sarah Knight Adamson

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Halle Berry’s Feisty Sofia Enhances Chapter 3. The opening scene of Chapter 3 in New York City’s iconic Public library is pure fantasy and entertainment, as not only does Super Assassin John Wick kill a perpetrator with a book, he respectably takes the time to place the book exactly back in its rightful place on the bookshelf. By setting the tone early, we reconcile into a fictional world, this by no means diminishes the violence, although it’s easier to shrug off as non-realistic.

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Reviews 

LONG SHOT – Review by Sarah Knight Adamson

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Pairing Seth Rogen’s slouchy dresser, Fred Flarsky, an unapologetic, gonzo journalist with Charlize Theron’s glamorous, Charlotte Field, a driven successful Secretary of State who has her sites on running for President is opportune—as the ‘oil and water’ pair make one of the most remarkable couples since the unlikely pairing of Julia Roberts and Hugh Grant in the highly successful film Notting Hill.

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Interviews 

Alfonso Cuaron on Mother Figures in Life and in ROMA – Sarah Knight Adamson Interviews

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In capturing the monotonous tasks carried out daily by his beloved housekeeper/caregiver, Alfonso Cuaron invites us to witness quiet colorless moments that seen in Roma to shine as brightly as a rainbow. Roma, is nothing short of an artful masterpiece.

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