Memphis Film Prize 2019 Wrap – Sarah Knight Adamson reports

The Memphis Film Prize is a uniquely creative showcase for emerging talent. Filmmakers from across the country submit short films — five to fifteen minutes long — for a cash prize of $10,000. The main requirement is that the films be shot in Shelby County, Tenn. Ten films selected for the competition are screened for audiences and judges in August, and a winner is chosen. The goal of the festival is to compensate creativity, allowing filmmakers to keep their creative work moving forward. I was one of three AWFJ members on the 2019 jury.

Read more

Lulu Wang on THE FAREWELL, Love and Her Grandmother – Sarah Knight Adamson interviews

Lulu Wang speaks about the special bond Wang shares with her grandmother and some of the qualities that she most admires in her grandmother. “My grandmother is an incredibly strong person, she actually joined the Army at age 14 as a way to escape an arranged marriage, and that speaks a lot to who she is as a person. She’s a very willful person, and she’s the one who really holds the entire family together. We’ve always had a special relationship because I’ve always been told that I take after her,” says Wang.

Read more

Tracy Edwards on the Making of MAIDEN – Sarah Knight Adamson interviews

Maiden tells the inspirational tale of adventure on the dangerous high seas and deliberate prejudice on dry land of Tracy Edwards, skipper of the first all-female crew to enter the ‘Whitbread Round the World’ in 1989. Her teenage dream was met with male opposition; the men thought she would never finish the race, and even made bets on her failure. Potential sponsors rejected her, fearing her crew would die at sea and generate bad publicity. In spite of these obstacles, she persevered to overcome male sexism by shocking the sporting world and proving that women are very much the equals of men in yacht racing.

Read more

ALADDIN – Review by Sarah Knight Adamson

It’s a shame, with the lavish sets, costumes, and talented actors that Aladdin’s script doesn’t develop the characters and the last forty minutes took a dark tone that lingered for too much time in a children’s film. Unfortunately, the numerous problems doom the film. Should your children see the movie? That depends if you’re okay with Jasmine’s dad the Sultan being tortured by electric shock bolts that inflict pain until she agrees to marry Jafar.

Read more

JOHN WICK: CHAPTER 3 – PARABELLUM — Review by Sarah Knight Adamson

Halle Berry’s Feisty Sofia Enhances Chapter 3. The opening scene of Chapter 3 in New York City’s iconic Public library is pure fantasy and entertainment, as not only does Super Assassin John Wick kill a perpetrator with a book, he respectably takes the time to place the book exactly back in its rightful place on the bookshelf. By setting the tone early, we reconcile into a fictional world, this by no means diminishes the violence, although it’s easier to shrug off as non-realistic.

Read more

LONG SHOT – Review by Sarah Knight Adamson

Pairing Seth Rogen’s slouchy dresser, Fred Flarsky, an unapologetic, gonzo journalist with Charlize Theron’s glamorous, Charlotte Field, a driven successful Secretary of State who has her sites on running for President is opportune—as the ‘oil and water’ pair make one of the most remarkable couples since the unlikely pairing of Julia Roberts and Hugh Grant in the highly successful film Notting Hill.

Read more

Alfonso Cuaron on Mother Figures in Life and in ROMA – Sarah Knight Adamson Interviews

In capturing the monotonous tasks carried out daily by his beloved housekeeper/caregiver, Alfonso Cuaron invites us to witness quiet colorless moments that seen in Roma to shine as brightly as a rainbow. Roma, is nothing short of an artful masterpiece.

Read more