SPRING BLOSSOM – Review by Sandie Angulo Chen
There’s something inherently uncomfortable about age-gap romances when one person is underaged. Even when the older party isn’t a teacher, coach, or other authority figure, it’s still problematic. What’s remarkable about the French film Spring Blossom is that unlike similar films made by men, this one is from the perspective of the young woman and doesn’t shy away from showing precisely how intelligent but also naive and young the protagonist really is… probably because writer-director-star Suzanne Lindon penned the script when she was 15 (and shot the film when she was 19).
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