CONCRETE UTOPIA (TIFF 2023) – Ulkar Alakbarova

Penned by Lee Shin-ji and Um Tae-hwa and skillfully directed by Um Tae-hwa, Concrete Utopia artfully captures the selective kindness within individuals and how they can succumb to greed in the most trying of circumstances. The central dilemma in this post-apocalyptic thriller lies in questioning why those who have survived choose to hoard food from those who are denied entry to their homes, rather than sharing their provisions with those who continually display hostility.

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ONE LIFE (TIFF 2023) – Review by Ulkar Alakbarova

Based on true events, One Life follows Nicholas Winton, a British stockbroker who was deeply affected by the fate that Jewish children could face when Nazi Germany declared the beginning of the occupation of Czechoslovakia. Nicholas (Johnny Flynn, portraying a younger Winton) promptly decided to involve all the friends he could find in Prague to save as many Jewish children as possible who were at risk of imminent danger.

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MURU (TIFF 2022) – Review by Ulkar Alakbarova

Muru is a solid thriller inspired by true events of police raids that took place in 1961 and 2007 in New Zealand. It follows a local police Sergeant “Taffy” Tawharau (Cliff Curtis) who must make a tough decision to assist the Government with a police raid or stand by his community and prevent possible bloodshed. When the government launches an armed raid on Taffy’s community called Ruatoki on a school day, things go terribly wrong. What starts as a mission to find and arrest a possible local terrorist who threatened to attack the Prime Minister turns into a violent altercation with casualties that could have been prevented.

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Tearepa Kahi and Cliff Curtis on MURU (TIFF 2022) – Ulkar Alakbarova interviews

Racism, corruption, discrimination, greed and power. They all go hand-in-hand. We hope that at some point the world we live in will change for the better. But it does not happen. Are we just naïve to hope and still believe in miracles? The story told in Muru, directed by Tearepa Kahi happened not too long ago. But when you look at it, you begin to ask yourself – how is it even possible for something like this to occur in our modern times? Not revealing much, I had the great pleasure of sitting down with director Tearepa Kahi and actor Cliff Curtis, who provided insights into the film much better than I could.

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SANCTUARY (TIFF 2022) – Review by Ulkar Alakbarova

Has a thought such as ‘stop the world I want to get off’ crossed your mind while watching a specific film? A film that you have no clue what it’s about; neither its concept nor what it tries to tell you? The film that you have no words to describe. I will tell you what I planned to write about Zachary Wigon’s Sanctuary – this is just a phenomenal film that you won’t be able to not tell your friends about. So just go and watch it. End of review. But as a film critic, I should probably do better than that.

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PRISONER’S DAUGHTER (TIFF 2022) – Review by Ulkar Alakbarova

When you read the synopsis about a man who is being released from prison on grounds of compassion, you think it’s going to be another action film in which an elderly man must fight his past enemies. It is the first thing that comes to a mind once you hear about Prisoner’s Daughter. However, the moment the film starts, it takes a different turn, a surprising one. With screenplay by Mark Bacci and directed by Catherine Hardwicke, Prisoner’s Daughter is a feel good story.

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RAYMOND & RAY (TIFF 2022) – Review by Ulkar Alakbarova

Shows how little we know about our parents, especially how little Raymond and Ray know; if their father had a chance, he would probably impregnate every woman he ever dated! Even though the brothers have nothing good to say about him, it’s their father’s friends and acquaintances who are fond of him. Maybe their father was a better friend, a good lover, but never a good parent. It’s something the brothers must explore in order to find a way to cure themselves from the hatred they have buried in their heart and begin their new life with a new chapter.

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DRIVING MADELINE (TIFF 2022) – Review by Ulkar Alakbarova

“Can the man who beats you day and night. Who rapes you and hits your son can be called a husband?” Driving Madeline explores the past trauma of an elderly woman, who knew how to fight back when the right moment came. Filled with sadness and laughter, happiness and tragic loss, the film transports you into the mind of Madeline, who flawlessly delivers the most educational aspect of domestic violence, femicide, perseverance, courage and the stories she tells, be prepared, will blow your mind away.

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THE WHALE (TIFF 2022) – Review by Ulkar Alakbarova

The Whale is exceptional, brilliant, and mind-blowing. The concept itself is gut-wrenching. Darren Aronofsky does what he knows best – capturing the portrait of a broken human being and presenting it in the most devastating way. For that, he just needed to find the right actor and, Brendan Fraser was the chosen one. Don’t be surprised when he begins to grab one award after another because no one can match his level of acting this year – that’s what we all must be certain of.

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THE TRIANGLE OF SADNESS (TIFF 2022) – Review by Ulkar Alakbarova

The Triangle of Sadness perfectly captures the balance of power and how it can shift. It all comes down to what you know, what you can do and what you cannot. Humans are corrupt, whether rich or poor. And when the poor gets a chance to stand out, they’re abused, taken advantage of, and the actual humiliation starts. Is the story about the poor going rogue? No. But it shows how we people do not realize one thing – for a better outcome, collaboration is required. And when we don’t work together but instead try to overpower each other, the result will be the exact the same – good or bad, wealthy or poor, we all become as corrupt as everyone else.

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