Author: Claudia Puig (Archived Contributor)

While the entire premise of Sleuth is a gimmick, having Michael Caine and Jude Law remake the 1972 adaptation of

Though it’s not quite film noir, We Own the Night has a darkly brooding style that suits the material. Screenwriter/director

Lee’s reserve dampens the passion in Lust, Caution, his beautifully mounted but rather unmoving film. It feels surprisingly cold, despite

In The Darjeeling Limited, the journey toward enlightenment (or at least a degree or two of heightened self-knowledge) is the

The Kingdom begins as a political thriller, then turns into something akin to a cop action flick in a foreign

Talk to Me speaks powerfully to audiences with its potent blend of extraordinary performances and engaging soundtrack. Read more

For those seeking an alternative to giant robots and flying wizards, there’s an amusing Australian comedy that might be just