THE ZONE OF INTEREST – Review by Diane Carson
It is a daunting challenge to present a cinematic experience that does justice to the Holocaust without repeating previous worthy considerations of the unfathomable horrors. Stretching back to Alain Resnais’ 1956 Night and Fog, important fiction and nonfiction works have honored the victims’ memories amidst various dramatizations of Nazi inhumanity. Writer/director Jonathan Glazer has forged a new approach in The Zone of Interest, a narrative of overwhelming, astonishing restraint. Loosely based on Martin Amis’ 2014 novel, Glazer’s narrative enters the pantheon of unforgettable films on the Holocaust, adding another chapter to our understanding of the banality of evil.
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